Role: Creator of doctrines resembling Egyptian religion, responsible for establishing a priestly order.
This eventually led to the Egyptian culture many years later.
For the new Atlantis civilization had a great deal of similarity to the Egyptian civilization at the same time.
Joseph, possessing both imaginative and logical faculties, acted as a bridge between Hebrew and Egyptian cultures.
Nevertheless, his dual capacity enabled him to serve Egypt and later facilitated the Hebrews’ reabsorption of Egyptian spiritual content.
Hindus, Pacific Islanders, Tonga Islanders, Australians, Egyptians, and northern Europeans, who observed similar festivals in late October or early November.
Mexicans, Egyptians, and Jews, who associated this time with flood myths, particularly tied to the Pleiades constellation.
Ancient cultures, from the Egyptians to the Mexicans, regulated their calendars by the Pleiades’ rising or setting.
The Red Sea parts (14), and YHWH drowns the Egyptians (14:27)—a warrior God triumphing.
One figure, sometimes called "Bes-like" due to its resemblance to the Egyptian dwarf god Bes, adds another layer of cultural mixing.
These visuals suggest worship at Kuntillet Ajrud was eclectic, drawing from Israelite, Canaanite, and even Egyptian influences.
Cyclical Renewal: Nu’s ark, Berossus’s boat, and Yima’s Vara preserve life for a new cycle—Atlantis’s Egyptian legacy (Timaeus 22b) suggests a similar, understated renewal.
Application: Atlantis’s total fall (Timaeus 25d) might oversimplify—provoked destruction (Golokhvastoff’s chaos) could yield a Vara-like remnant (e.g., Egyptian priests, esoteric lore), seeding a new cycle post-10,000 BCE deluge.
Plato’s Absence: Plato presents Atlantis as a historical account relayed by Solon from Egyptian priests (Timaeus 21e-23e), grounded in oral testimony, not visionary revelation.
Critias narrates the story, claiming it came from Solon (6th century BCE), who heard it from Egyptian priests in Sais.
In Solon’s time (6th century BCE), “Herakleous Stelai” wasn’t a fixed term—Heracles’s labors were mythic, not geographic, and Egyptian records lack this phrase.
Mistranslation?: The Greek στήλαι (stelai, “pillars” or “markers”) could derive from an Egyptian term like “boundary of the sea” (e.g., djew, mountains, or wadj-wer, great green sea), misinterpreted as a specific place.
Gwyn Griffiths (Atlantis, 1985) suggests Plato adapted an Egyptian flood tale (e.g., Osiris myths), pinning it to a Greek frame for rhetorical effect.
Egyptian iw (island) or t3 (land) might have been generalized by Solon or Plato into a standalone isle.
An Egyptian tale of a lost coastal land could have been magnified.
Mistranslation?: The suddenness may exaggerate an Egyptian account of gradual flooding (e.g., Nile Delta subsidence).
Greek κατέδυσαν (sank) implies a dramatic plunge, but Egyptian flood tales (e.g., inundation myths) often span seasons, not days.
Egyptian Source: Timaeus 22a-b claims Solon heard it from Sais priests about a war 9,000 years prior, preserved in “sacred registers.” No Egyptian text matches—e.g., Turin King List (1300 BCE) or Sais stelae lack Atlantis-like tales.
The “Pillars of Hercules” isn’t definitively a later addition but could misrepresent an Egyptian “sea boundary,” while “great island” likely exaggerates for effect.
Egypt: Survivors contributed to the rise of the Egyptian civilization, bringing advanced knowledge of architecture and mummification.
The Atlantean influence extended to many ancient civilizations, including the Egyptians, Mayans, and pre-Columbian cultures.
These survivors brought advanced knowledge and contributed to the rise of civilizations such as the Egyptians.
The spiritual and scientific knowledge brought by Atlantean survivors was integrated into Egyptian religious practices, architecture, and societal structures.
Egyptian priests from Saïs shared the story of Atlantis with Solon, affirming that the continent sank around 9,500 years before their time.
The Sumerians, Egyptians, and Indus Valley people all had early astronomical traditions.
Question: Do the Egyptian goddesses Bastet and Isis have extraterrestrial connections, and what does it mean if their symbols repeatedly appear in someone’s life?
In Timaeus and Critias, Egyptian priests in Sais (modern-day Sa el-Hagar) tell Solon about the "ancient Greeks" who lived 9,000 years earlier.
Cultural Amnesia: Plato’s Egyptian sources emphasize that the Greeks had "forgotten" their deeper history due to natural disasters, much like how Homeric myths might encode fragments of earlier Mediterranean interactions.
The roles of Egyptian goddesses, particularly Bastet, are analyzed.
This seems not too far-fetched, since Moses was reared in the Egyptian tradition, in a royal household, and probably had access to many religious writings and teachings now lost with the passing of the archives of Egypt, in Alexandria, Heliopolis, and Sais.
If Moses did write part of the Old Testament, he then must have had Naga tablet writings, or Egyptian interpretations of them, handed down to the Egyptians for thousands of years; and the Egyptian priesthood had knowledge of a cataclysm 11,500 years ago.
The Mayan tongue lived on in scattered remnants: Polynesian tongues, Greek, Yakut, Egyptian, Eskimo tongues, Nomadic, Oriental, German, American Indian—just about all languages.
Genesis 16:1Verse: “Now Sarai Abram’s wife bare him no children: and she had an handmaid, an Egyptian, whose name was Hagar.”Interpretation: This verse introduces Hagar, emphasizing her foreign origin (Egyptian), which may reflect broader themes of social hierarchy and cultural interactions.
Genesis 16:3Verse: “And Sarai Abram’s wife took Hagar her maid the Egyptian, after Abram had dwelt ten years in the land of Canaan, and gave her to her husband Abram to be his wife.”Interpretation: Hagar’s new status as Abram’s secondary wife shows the importance of lineage in patriarchal culture and highlights Sarai’s desperation for a child.
Genesis 16:1"Now Sarai Abram’s wife bare him no children: and she had an handmaid, an Egyptian, whose name was Hagar."
Genesis 16:3"And Sarai Abram’s wife took Hagar her maid the Egyptian, after Abram had dwelt ten years in the land of Canaan, and gave her to her husband Abram to be his wife."
The Book of Sothis includes a list of Egyptian kings, claiming these were recorded from ancient monuments in the "Siriadic land" (possibly Egypt), which were supposedly engraved before the Great Deluge and later translated into hieroglyphics and preserved in Egyptian temples.
It is said to be a Late Antique forgery falsely attributed to the Egyptian priest Manetho, who originally wrote a history of Egypt in the 3rd century BCE.
Their interpretations heavily influenced Byzantine and Arab-Islamic views of Egyptian history for over a millennium.
Thereafter Manetho tells also of five Egyptian tribes which formed thirty dynasties . . .
Several names in this list correspond to well-known figures in ancient Egyptian history and mythology, as well as figures referenced in historical traditions.
In Egyptian mythology, Sopdet (Sothis) is the deity associated with Sirius.
Both Egyptian and Mesopotamian traditions, as well as some Roman authors, provide specific timelines for ancient events or civilizations.
The Egyptian priest Manetho compiled a detailed king list that divided Egyptian history into dynasties.
Egyptian priests told Herodotus (Histories, Book II) that their civilization's records stretched back 11,340 years and included accounts of the reigns of gods and humans.
This predates the Greek understanding of history and aligns with Plato’s emphasis on the antiquity of Egyptian records.
It was discovered by the archaeologist Flinders Petrie in 1896 in the city of Thebes and is currently preserved in the Egyptian Museum in Cairo.
In Egyptian hieroglyphic writing, determinatives are symbols that categorize the object or concept being described.
The speaker examines the etymology of the name "Babylon," suggesting it derives from "Babi," which refers to a baboon and is associated with Thoth, the Egyptian god of wisdom and writing.
The speaker questions why Thoth, an Egyptian god, would be connected to Mesopotamia, concluding that he wouldn’t have been—further evidence for Egypt as the original Babylon.
This alignment symbolizes the pineal and pituitary glands in the human body, linking ancient Egyptian architecture to spiritual enlightenment and the concept of a "thousand-petaled lotus" of consciousness.
This principle underlies arguments challenging the attribution of structures like the Sphinx, pyramids, and tombs in Egypt to the ancient Egyptians.
Many of these artifacts exhibit designs and craftsmanship that are considered impossible with the tools attributed to ancient Egyptians, such as copper chisels.
These features reflect the advanced engineering capabilities of ancient Egyptians.
Mummified remains discovered in smaller chambers provide insights into the lives of ancient Egyptians.
The Osiris Shaft is believed to symbolize the Egyptian underworld and the journey of the god Osiris.
Alternative theories propose that the structures at Giza could predate the ancient Egyptians or reflect knowledge passed down from an earlier advanced civilization.
An Egyptian historian from the 14th century CE mentioned the distribution of flammable weapons, such as naphtha pots and lightning bombs, in Egypt.
The video explores the history and design of the Bent Pyramid of Dahshur, an ancient Egyptian monument commissioned by Pharaoh Sneferu.
The Bent Pyramid was not a failed experiment but a significant achievement in ancient Egyptian engineering.
Jairazbhoy’s The Ancient Egyptians and the Americas, and Ivan Van Sertima’s They Came Before Columbus (1976).
However, no evidence supports Egyptian expeditions to the Americas or their colonization of Mesoamerica.
Egyptians were largely isolationist, focusing on the Nile Valley.
Egyptian ships were primarily designed for river navigation, and the establishment of Egypt's first significant Mediterranean port, Alexandria, occurred only in 300 BCE under Greek rule.
Furthermore, Phoenicians, not Egyptians, constructed the city of Lixus in modern Morocco, cited by Van Sertima as evidence of Egyptian influence in Africa.
Egyptians, except for a brief Nubian Dynasty, were primarily isolationist and focused on the Nile Valley.
Ancient Egyptians were skilled agriculturalists who grew cucumbers in the fertile Nile Valley.
To emphasize the monotheistic nature of the Bible, the names of Egyptian gods may have been woven into the narrative of the 10 plagues, with each plague representing a challenge from Yahweh to a specific Egyptian deity.
The Exodus symbolizes a transition from older religions to more structured theological systems, with Yahweh demonstrating superiority over the Egyptian pantheon.
Early cultures like the Minoans, Phoenicians, and Ancient Egyptians (Khem) inherited fragments of Atlantean knowledge.
The transition from Atlantean-inspired systems (symbolized by Egyptian deities and power structures) to Yahweh's covenant reflects a cultural and spiritual shift:
Yahweh’s triumph over the Egyptian gods symbolizes the ascendancy of a new divine order, emphasizing human resilience and law over cosmic cycles and fertility.
Each plague is thought to challenge the power of various Egyptian deities.
Death of livestock: A plague killed the Egyptians' livestock, sparing the Israelites'.
Death of the firstborn: The firstborn of every Egyptian family, including Pharaoh's, died.
The Exodus story, as described in the Bible, can indeed be interpreted as more than just a liberation of the Israelites; it also serves as an ideological and spiritual confrontation between Yahweh and the Egyptian worldview.
Challenge to the Egyptian Pantheon: Each plague directly undermines the authority of specific Egyptian deities (as noted earlier).
Pharaoh as a Divine Figure: Pharaoh was considered a living god in Egyptian culture, the embodiment of divine order (Ma'at).
By challenging Pharaoh's authority, Yahweh confronts the very heart of Egyptian society—its divine kingship and political power.
The Exodus disrupts the Egyptian economy by depriving it of its enslaved labor force, a critical element of its societal structure.
This suggests a broader spiritual and social revolution emerging from the ashes of Egyptian domination.