LATEST Discoveries! METATRON Revealed: Time Travel, Peru & Da Vinci

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Time as a Multidimensional Construct

Robert Edward Grant discusses the concept of time as a continuum where the distant past and future are intertwined. This interconnection is activated by human consciousness and unfolds precisely according to a predetermined timeline. He emphasizes that myths and ancient stories serve as a reflection of humanity’s multidimensional experience, blending memories of the future and the past.

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The Incan Symbols and Ancient Timeline

Grant examines symbols attributed to the Incan civilization, which appear to be astrological and date back over 12,000 years. He posits that these carvings represent some of the world’s oldest prehistoric man-made sites, challenging conventional historical timelines.

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Awakening and Multidimensional Consciousness

The conversation shifts to spiritual awakening, described as an individual decryption process. Grant connects this to ancient Egyptian symbology, particularly the sarcophagus in the King’s Chamber of the Great Pyramid. He associates the sarcophagus with the story of Osiris, where death and rebirth symbolize spiritual and multidimensional awakening.

Grant elaborates on the concept of living across different time dimensions simultaneously, suggesting that human avatars are limited projections of higher selves. He likens time to a Mobius strip, where past and future converge.

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Discoveries in Peru

Grant shares insights from a recent trip to Peru, where he experienced transformative realizations. He references the symbolism of the “staff of Hermes” and the merging of dualities—land and water, masculine and feminine—depicted in nature and ancient carvings.

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Da Vinci’s Hidden Geometry

Grant discusses his latest discoveries related to Leonardo da Vinci’s artworks, including Mona Lisa, Vitruvian Man, and The Last Supper.

The Mona Lisa and Vitruvian Man

• Grant aligns the Vitruvian Man with the Mona Lisa using precise geometric proportions.
• The Vitruvian Man’s right wrist aligns perfectly with an Omega-shaped symbol in the Mona Lisa.
• He interprets this alignment as representing Alpha and Omega, symbols of infinity and cyclicality.

The Last Supper

• Grant overlays a Metatron’s Cube and the proportions of the King’s Chamber over the painting.
• The geometric alignment reveals hidden symbols, including references to Egyptian mythology, the philosopher’s stone, and the divine feminine.

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Metatron’s Cube and the King’s Chamber

Grant explains a unique method to construct a true three-dimensional dodecahedron using a pentagon within Metatron’s Cube. He relates this geometry to the proportions of the King’s Chamber in the Great Pyramid, emphasizing its use as a spiritual ascension device.

He posits that the sarcophagus in the King’s Chamber should be centrally placed for its intended function. Aligning this placement with Da Vinci’s Last Supper, Grant shows that the central window in the painting symbolizes the sarcophagus as a portal for spiritual activation.

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Symbolism of the Divine Feminine

Grant identifies the feminine presence, symbolized by the Hebrew letter “Hey,” in Da Vinci’s artwork. He associates this with the Shekinah, the divine feminine aspect of God, and the right hemisphere of the brain, which governs creativity and intuition.

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Connection to the Ramayana

Grant draws parallels between Egyptian mythology and the Ramayana. He highlights the story of Rama, who uses an arrow to pierce the naval of Ravana, symbolizing ego death. He connects this act to the solar plexus as a representation of the “Son of God.”

Cosmic Alignment and Symbolism in Geometry

The Sun, the Eye of Ra, and Sacred Proportions

Robert Edward Grant highlights the alignment between Da Vinci’s Last Supper, the Great Pyramid, and celestial symbols like the Eye of Ra. The Eye of Ra, seen in both the pyramid and Da Vinci’s painting, aligns proportionately with geometric forms that unlock deeper meanings.

Grant asserts that the placement of the sarcophagus in the King’s Chamber once reflected perfect proportions. Using advanced scans, he located marks on the floor indicating its original central position. He correlates this placement to the Egyptian myth of Osiris, connecting rebirth and spiritual transformation with the proportions of the King’s Chamber.

Earth’s Axial Shift and the Great Year

Grant discusses the Earth’s 24,000-year precessional cycle, in which the axial tilt shifts through four North Stars: Polaris, Thuban, Vega, and Deneb. The King’s Chamber reflects this cycle through its proportions, acting as a clock of time-space. He connects this cycle to current phenomena like increased solar flares and Aurora Borealis, signs of an unstable magnetosphere as the Earth transitions seasons in the cosmic timeline.

Orion’s Influence Across Cultures

Orion’s Geometry in Global Sites

Grant reveals correlations between the Orion constellation and global megalithic sites, such as the King’s Chamber and locations in Brazil.

1. Florianópolis
   • Known as “Magic Island,” Florianópolis features three megalithic sites aligned with the Orion constellation:
     • Dragon Head
     • Indian Stone
     • DOL (Dolmen)
   • These sites are spaced approximately one kilometer apart, forming a pattern that mirrors Orion’s Belt.
2. Rumi Kulka
   • While this site is primarily noted in Peru, it is similar in its enigmatic carvings and celestial alignments, suggesting parallels with Brazil’s megalithic monuments.

Florianópolis is the main Brazilian focus in this narrative, highlighted as a potential Stargate with deep ties to celestial symbolism and energetic significance.

He overlays the stars of Orion’s Belt onto these structures, discovering that their dimensions mirror Orion’s geometry.

• Beetlejuice’s Impending Explosion: Grant predicts that the star Beetlejuice, part of Orion, will become visible like a second moon, altering the night sky significantly.
• Soul Gateways: He suggests that souls enter this plane of existence through Orion’s central star, Alnilam.

Decoding Da Vinci’s Work

Vitruvian Man and Mona Lisa Connection

• By overlaying the Vitruvian Man with the Mona Lisa, Grant identifies geometric alignments that reveal hidden messages, such as the relationship between the “Alpha and Omega” symbols.
• The Vitruvian Man’s broken shackle aligns with the Mona Lisa’s Omega-shaped symbol, implying themes of liberation and infinity.

The Last Supper as a Stargate

Grant extends his geometric analysis to the Last Supper, overlaying Metatron’s Cube and proportional diagrams of the King’s Chamber. He reveals that the dimensions of the sarcophagus align perfectly with the window in the painting, symbolizing a portal.

The painting contains encoded elements of Egyptian mythology, such as references to the solar plexus (the “Son of God”) and the transformation of human consciousness through time.

Hierophant and the Age of Sovereignty

Hierophant Symbolism in Peru

On a recent trip to Peru, Grant discovered sites featuring symbols of Taurus, Scorpio, and elephants. He identifies elephants as representations of the Hierophant stage in humanity’s spiritual evolution, signifying sovereignty and balance.

At Sacsayhuamán, three megalithic anchor stones align with Orion’s Belt. Their design mirrors the proportions of the Great Pyramid, further tying ancient sites to cosmic geometry.

Connection to Mythology

Grant ties these findings to the myth of Orion and the story of Rama from the Ramayana. Both narratives involve overcoming ego and achieving balance between masculine and feminine energies, symbolized by the staff of Hermes.

The Rainbow Body and DNA Activation

Achieving Higher Consciousness

Grant explores the concept of the rainbow body, achieved through the balance of chakras and masculine-feminine energies. This transformation involves a shift in DNA from carbon-based to silicon-based, enabling higher-dimensional awareness.

• Möbius Time: Time flows forward and backward simultaneously, akin to a Möbius strip. This duality mirrors humanity’s transition into the Fifth Dimension.
• Pyramids as Temporal Anchors: Grant theorizes that the pyramids were built in both the past and future, evidenced by their alignment with the speed of light and time coordinates.

Miracles and Synchronicity

Peru’s Magical Alignment

While in Peru, Grant participated in rituals during the Diwali festival, celebrating the Rainbow Bridge of Rama. At Machu Picchu, his group performed a rainbow body activation, coinciding with a double rainbow over a mountain known as “Dragon Head.”

The dragon symbolizes the transition into a higher dimension, representing the culmination of humanity’s spiritual journey.

Awareness and Transformation

Grant emphasizes that awareness transforms reality. By recognizing divine patterns in everyday life, humanity can unlock its higher potential.

The Geometry of Da Vinci’s Works

• Integration of Esoteric Knowledge
  • Leonardo Da Vinci’s art, including the Vitruvian Man and the Last Supper, encodes geometric and esoteric wisdom.
  • Connections between the Eye of Horus and the circle in the Vitruvian Man demonstrate Da Vinci’s integration of Egyptian mystical teachings.
• Overlaying Geometry on Art
  • By aligning the proportions of the Vitruvian Man with the Last Supper, Grant revealed geometric relationships that highlight themes of balance, such as the interplay of logos (logic) and pathos (emotion).
• Metatron’s Cube and 3D Geometry
  • Unique adaptations of Metatron’s Cube geometry reveal how it can create a proportional dodecahedron, a discovery linked to ancient architecture and Da Vinci’s symbolism.

Insights on Ancient Monuments

• The Great Pyramid
  • The King’s Chamber is a geometric and energetic structure designed for spiritual ascension.
  • The pyramid aligns with Earth’s measurements, incorporating pi and the speed of light into its dimensions.
  • Newly discovered grand galleries within the pyramid suggest deeper chambers yet to be explored.
• Cosmic Alignments
  • The Great Pyramid corresponds to the Orion constellation and the 24,000-year precessional cycle, symbolizing humanity’s spiritual evolution.
• Sacred Sites and Stargates
  • Sites such as Rumi Kulka in Peru and Florianopolis in Brazil feature alignments with Orion and other constellations, suggesting these locations are ancient Stargates.

Orion and the Hero’s Journey

• Orion’s Symbolism
  • Orion represents the balance of masculine and feminine energies.
  • The belt stars align with key monuments worldwide, signifying humanity’s connection to the cosmos and the cyclical nature of time.
• Ego Death and Authenticity
  • Stories like Rama and Sita’s epic and the metaphors of the solar plexus (Son of God) underscore the importance of ego death in spiritual growth.

Spiritual Evolution and the Rainbow Body

• Path to Higher Dimensions
  • Balancing masculine and feminine energies leads to the rainbow body, symbolizing spiritual ascension and higher states of consciousness.
  • DNA upgrades align with these shifts, transitioning humanity into a more advanced energetic state.
• The Hierophant Stage
  • The stage of spiritual sovereignty, represented by the Hierophant archetype, is tied to symbols like the bull and the elephant.
  • The elephant motif in ancient carvings signifies wisdom and the connection to the Hierophant’s role in guiding humanity to balance and enlightenment.

Miracles and Synchronicities

• Peru Expedition
  • Synchronicities, such as the alignment of local festivals and celestial events, underscored the group’s spiritual discoveries.
  • A double rainbow appeared during a Rainbow Body activation ceremony, symbolizing unity and transformation.
• Living in Awareness
  • Miracles are recognized when one is attuned to the frequency of awareness and authenticity.
  • The narrative emphasized that the universe is meticulously interconnected, with patterns and symbols placed for humanity to decipher.