Jesus – Pleiadian consciousness
The name “Jesus” is derived from Greek, aligning Yeshua with Zeus to merge pagan and Christian beliefs.
Greek: Zeus, Hera, Hercules, Odysseus.
Great Flood Stories World wide
Unified Catastrophe Theory
Evidence: The Greek myth of Deucalion’s flood describes a cataclysmic flood sent by Zeus to punish humanity.
Anubis
Their 3 Abodes
They speak of three great gods or boats, each with a female counterpart: One, Hades, god of the underworld/caves; two, Zeus, god of heaven above; three, Poseidon, god of under the sea.
The Pleiadian Influence
According to myth, the sisters were pursued by the hunter Orion and were placed in the sky by Zeus to protect them.
Nymphs
In Greek mythology, the Pleiades were the seven daughters of Atlas and Pleione, who were transformed into stars by Zeus.
In Greek mythology, the Pleiades were the seven daughters of Atlas and Pleione, who were transformed into stars by Zeus.
The bull
Additionally, the god Zeus transformed into a bull to seduce Europa, which highlights the bull's association with divine power and sexual prowess.
The story of Zeus transforming into a bull to abduct Europa is mirrored in the stars, with the constellation representing the divine power and transformative ability of the gods.
Miracles of Elijah, Moses, and Jesus
The Great Bear – Big Dipper
According to the myth, Callisto was transformed into a bear and placed in the sky by Zeus.
Chronos
In Greek mythology, Chronos is one of the Titans and the father of Zeus.
Chronos is famously known for being overthrown by his son Zeus.
Chronos swallowed his children to prevent them from usurping his power, but Zeus ultimately defeated him and freed his siblings.
In Greek mythology, Chronos is one of the Titans and the father of Zeus.
Father of Gods: Donnelly emphasizes Chronos’s position as the father of the Olympian gods, particularly Zeus, and connects this with broader themes of divine authority and cosmic order.
Legacy: The story of Chronos, particularly his defeat by Zeus, is seen as a metaphor for the transition from one era to another, reflecting the changing fortunes of civilizations.
Father of Zeus: Like Plato and Donnelly, Bridgman-Metchum emphasizes Chronos’s role as the father of Zeus and the other Olympian gods, highlighting the familial dynamics and power struggles.
Cultural Impact: The myths of Chronos are seen as having a lasting impact on various cultures, with Bridgman-Metchum suggesting that the story of Chronos and Zeus influenced later mythologies and historical narratives.
Role as the Father of Zeus:
Patriarch of the Olympian Gods: All three writers emphasize Chronos’s role as the father of Zeus and the other Olympian gods.
Overthrow by Zeus: The story of Chronos being overthrown by Zeus is a consistent theme, symbolizing the cyclical nature of power and the inevitability of change.
Zeus
Zeus is a prominent figure in ancient Greek mythology and is considered the king of the gods.
Thunder gods or sky gods from ancient cultures that bear striking resemblances to Zeus:
Supreme God: Zeus is depicted as the ruler of the gods, supreme in authority over both gods and humans.
Judgment and Punishment: In "Critias," Zeus convenes a council of the gods to discuss the fate of Atlantis.
Omnipotence: Zeus’s decisions are final and reflect his omnipotent nature, reinforcing his position as the most powerful deity.
Symbolic Depiction: While Plato does not describe Zeus’s physical appearance in detail, traditional Greek mythology portrays him as a powerful, bearded man wielding a thunderbolt, symbolizing his control over the skies and weather.
Supreme Deity: Donnelly maintains the portrayal of Zeus as the supreme god, overseeing the pantheon and human affairs.
Moral Arbiter: He emphasizes Zeus’s role as a moral arbiter, who, like in Plato’s account, punishes Atlantis for its moral failings and hubris.
Influence on Civilization: Donnelly extends Zeus’s influence to other ancient civilizations, suggesting that the myths surrounding Zeus influenced various cultures’ understanding of a supreme deity who governs with justice and power.
Traditional Depiction: Donnelly adheres to the classical depiction of Zeus, highlighting his iconic symbols such as the thunderbolt and eagle.
Ruler of the Gods: Bridgman-Metchum also portrays Zeus as the ruler of the gods, echoing the supreme authority described by Plato and Donnelly.
Divine Judgment: In line with Plato, Bridgman-Metchum emphasizes Zeus’s role in deciding the fate of Atlantis.
The moral decline of the Atlanteans leads to Zeus’s judgment and the island’s eventual destruction.
Cultural Influence: Bridgman-Metchum suggests that Zeus’s attributes and stories had a lasting impact on various ancient cultures, similar to Donnelly’s interpretation.
Classical Imagery: Bridgman-Metchum uses classical imagery to describe Zeus, focusing on his powerful presence and traditional symbols like the thunderbolt.
This reinforces the continuity of Zeus’s portrayal as an omnipotent and just deity.
Ruler of the Gods: All three writers depict Zeus as the supreme deity, ruling over both gods and humans.
Moral Judgment: Zeus is consistently portrayed as a moral arbiter who punishes Atlantis for its hubris and moral decline.
Destruction of Atlantis: In each account, Zeus plays a crucial role in the destruction of Atlantis.
Omnipotence: Zeus’s ability to decide the fate of an entire civilization underscores his omnipotence and reinforces his position as the most powerful deity.
Thunderbolt and Eagle: Traditional symbols associated with Zeus, such as the thunderbolt and eagle, are used by all three writers to emphasize his power and control over the natural world.
Classical Imagery: The classical depiction of Zeus as a powerful, bearded man is maintained, symbolizing his strength and authority.
Mythological Impact: Donnelly and Bridgman-Metchum extend Zeus’s influence beyond Greek mythology, suggesting that the stories and attributes of Zeus impacted various ancient civilizations.
This highlights the enduring legacy of Zeus as a symbol of supreme divine authority.
Timelessness: While specific details about Zeus’s age are not provided, he is portrayed as ageless and eternal, consistent with his depiction in Greek mythology.
Powerful Presence: Zeus’s physical depiction as a powerful, imposing figure is consistent across all three accounts, reinforcing his role as the ultimate authority.
Zeus as a Universal Archetype:
This included the worship and stories of Zeus.
Adaptation and Integration: Different cultures adapted the figure of Zeus to fit their own religious frameworks.
For instance, the thunder god or sky god archetype appears in many ancient cultures, often bearing striking resemblances to Zeus.
Egyptian Mythology: Donnelly points out that the Egyptian god Amun-Ra, a supreme deity, shares similarities with Zeus in terms of power and authority.
Amun-Ra is often depicted with attributes that are reminiscent of Zeus, such as the control over elements and a dominant position among the gods.
Norse Mythology: The Norse god Odin shares many characteristics with Zeus, including being the chief of the gods and having control over aspects of the natural world.
Odin’s wisdom and leadership qualities are parallel to those of Zeus.
Hindu Mythology: Indra, the king of the gods in Hindu mythology, wields a thunderbolt and controls the weather, similar to Zeus.
Indra's role as a warrior god and his position as a leader of the gods reflect Zeus's attributes.
These symbols help to draw parallels between Zeus and similar deities in other cultures.
Zeus in Atlantean Context:
Divine Archetype: Bridgman-Metchum views Zeus as a central figure in the mythology of Atlantis, whose influence extended to various other cultures through the diffusion of Atlantean knowledge and religious practices.
Historical Narrative: He suggests that the historical events and the fall of Atlantis were interpreted and integrated into the mythologies of different civilizations, with Zeus often being a central figure in these narratives.
The figure of Zeus thus became a template for their supreme deities.
Omnipotence and Justice: Bridgman-Metchum emphasizes that the themes of omnipotence, justice, and moral judgment associated with Zeus were mirrored in the supreme deities of other cultures.
Astronomical Connections: He also highlights the astronomical connections, where the worship of Zeus and similar deities was often linked to celestial phenomena, reinforcing their supreme status.
The Aryan Colonies from Atlantis
The Greek god Zeus, associated with Atlantis, parallels the Hindoo god Dyaus, indicating a shared origin.
The antiquity of some of our great inventions
The rebellion against Zeus, known as the "War of the Titans," involved thunderbolts and seismic shocks, possibly indicating early use of explosive devices.
The God Odin, Woden, or Wotan
He is represented with attributes similar to those of the Greek god Zeus, and some believe him to be identical with Zeus.
The Gods of the Phoenicians also kings of Atlantis
This mirrors the Greek legend where Zeus overthrows his father, Chronos.
Dagon, after discovering bread-corn and the plow, was called Zeus-Arotrius.
The kings of Atlantis become the Gods of the Greeks
For instance, Zeus had a tomb in Crete.
Inhabitants: The gods of Olympus, like those of Atlantis, were twelve in number, including Zeus, Poseidon, and others.
The Deluge Legends of America
Pimas: Their legend involves Szeu-kha (Zeus?), who survived a flood by floating on a ball of resin.
These apples were a wedding gift from Gaia (Earth) to Hera, the queen of the gods, upon her marriage to Zeus.
It was usually served by Hebe, the goddess of youth, or Ganymede, a mortal youth who was granted immortality and made a cupbearer by Zeus.
Uranus
This theme continued with Cronus and his son Zeus, who would later overthrow Cronus in a similar fashion.
Androgyne Adam
The Gods desired at once to reduce their might and punish their temerity, but did not wish to destroy the human race; consequently at the advice of Zeus, each androgyne was hewn asunder, so as to leave to each half two arms and a pair of legs, one head and a single sex.
According to him, she was sent in mockery by Zeus to be a scourge to man:
Mars
Herculus
Hercules was the son of Zeus, the king of the gods, and Alcmene, a mortal woman.
Belt of HippolytaHe obtained the belt of Hippolyta, the Queen of the Amazons, initially through peaceful means but later had to fight the Amazons when Hera, Zeus' wife and Hercules' stepmother, intervened.
Greek Mythology: The Big Three in Greek mythology refer to Zeus (king of the gods), Poseidon (god of the sea), and Hades (god of the underworld).
The Red World
The summit of mountainous Thrace received the name “Haemus,” and Apollodorus related the tradition of the Thracians that the summit was so named because of the “stream of blood which gushed out on the mountain” when the heavenly battle was fought between Zeus and Typhon, and Typhon was struck by a thunderbolt.
In ancient Greek mythology, there was a story of a beautiful youth named Cygnus who caught the eye of Zeus, the king of the gods.
To prevent further chaos, Zeus intervened and struck down Phaethon with a thunderbolt.
Overwhelmed by grief, he caught the attention of Zeus, who, moved by Cygnus's loyalty, transformed him into a swan and placed him among the stars.
After Scorpius succeeded in stinging Orion, both the scorpion and Orion were placed in the sky as constellations by the god Zeus.