Table of Contents
Names:
- Stone Henge
- The Giants’ Dance
Who build Stonehenge
S:Who built Stonehenge?
K:It was constructed by a group of survivors from Atlantis. They designed Stonehenge to preserve and store the ancient knowledge and wisdom from their lost civilization.
A hypnotist’s journey to Avalon
The Giants’Dance
D: There’s a place I’ve heard about that’s on your land. I don’t know if you would call it the same name I call it or not. Have you ever heard of a place called Stonehenge? Do you know that name?
K: (Pause) You mean the Giants’ Dance. It stands in the middle of the plain, and it was built not long after we first came, and it was a place of study. Of focusing powers and learning about the universe.
D: I’ve heard they have large stones and they are in a circle? Is this the same place?
K: Yes. It is said that it was raised by music. This is true. By using certain sounds great weights can be lifted and moved. And it is said that before this was lost that this was built.
D: There are many stones that stand upright and there are stones across the tops too.
K: And then there are the, what has come to be known as the altar stone or the king’s stone. And then there are the chalk pits that surround it.”
D: There’s a place I’ve heard about that’s on your land. I don’t know if you would call it the same name I call it or not. Have you ever heard of a place called Stonehenge? Do you know that name?
D: Then the people spread to many places? That’s why you have remembered the powers your people had in those days? (Yes) I think we were talking of the same place. It’s just that where we live, they call that place Stonehenge.
K: I have no knowledge of this name. It is just known as the Giants’ Dance.
D: Today people think it has to do with the times of the year.
K: Marks the time, yes. But there is also greater meaning. The altar stone is lit with the fire of the sun at the mid of summer. It is this that is the mystery.
D: But your people don’t use that today?
K: The people of my Lady have never used this. This was back long, long ago.
D: Then your people, the Druids, did not build it? K: The people we came from built this, but not those you would consider to call Druids now. We did not build it. It is old even now.
D: That’s the story now where we live, that the Druids built it many, many years ago.
K: No men that walk the Earth now remembers the power to lift the stones.
D: Do you think it was built at the time when the country existed that fell beneath the sea?
K: It is said that it was built by the people who came from there.
D: Then they still had the power. (Yes) It is very old and very mysterious.”
Horns of the Goddess by Dolores Cannon
Stone Circles as transporters
They transported themselves through the stone circle system that you would see in Stonehenge. They traveled out of that place and went into a different dimension, instead of traveling to another stone circle. Because they did not go back to the home planet, their bodies transformed into an energy force.
S: Did they colonize before they left?
J: They had started and had two hybrid children who had been born to the people, but the children didn’t make it. S: When did the Atlantis that you were a prisoner on get started?
J: That was later, when I lived as the Commander. One of my crew left me and went to that island. He used the stone circle to go through the chasm and when he got there, he realized that the earlier colonizers left all their equipment. He was able to use a lot of that combined with our technology that he recovered from the ship when he starts his new civilization.
From A hypnotist’s journey to Atlantis
General info about the Giants’ Dance
The Giants’ Dance is a legendary stone circle central to Arthurian lore, first documented in Geoffrey of Monmouth’s Historia Regum Britanniae (c. 1136). In the Merlin legend, it is described as a megalithic structure originally located at Mount Killaraus in Ireland. According to Geoffrey, the wizard Merlin disassembled this circle and had its stones transported to Salisbury Plain in Wiltshire, England, where giants reassembled them to form Stonehenge. In modern contexts, the term Giants’ Dance refers to:
- A fictional stone circle in Arthurian legend, moved by Merlin from Ireland to Britain.
- Stonehenge itself, as the legendary site of the reassembled stones.
- Waun Mawn in Pembrokeshire, Wales, a site proposed as the potential real-world origin of a dismantled stone circle linked to Stonehenge.
They call this place the Giants’ Dance and say a wizard built it with stones he stole from Erin. By his arts, he flew them through the air and set them down on the great plains of Salisbury and made a ring of power to endure forever.
Now we are gathered in our white robes to initiate a spring equinox ritual. The mark of a spiral is drawn upon our foreheads. We are walking slowly and mindfully on the path that takes us through a certain pattern laid out on the Earth’s surface. This pattern aligns us with the stars above and the electro-magnetic lines that weave through the Earth Mother’s body. Twilight is approaching. The stars are just beginning to come forth as we approach the heel stone. We pause and further attune our body/mind with great awareness. We slowly proceed on our walk. We approach the great blue stones that you call the (Stone)Henge, which rests in massive majesty upon the Salisbury plain.
There is plenty of room for us. We are still in the waning energies of vernal equinox and the waxing of the passage called Beltane (May Day or May 1st). We have been observing and conducting the energies for several weeks.
It is a time to commune with the stars and the wisdom therein. It is a time to bring much light into the cells of our bodies and into the womb of the Great Mother. These stones assist us to do this. They are like a light-craft made of stone. As we join together in mantras and mudras, we begin to spin our energy fields. A great mandala of light is created. The Henge begins to spin. The stones become very ethereal – a very powerful vortex is created and we all become exponentially expanded through the night. There is a large light-craft above us. I am told the consciousness within it is from the Pleiades.
They tell of a time when these ways were only practiced by women without the seed of man. Then there came a time when men sought to personify and embody the ‘gods’, with whom the women mated on the astral planes. This is true today. Sadly, there has been much corruption, abuse, conflict and suffering.
What I will share with you is that there is a rather complex interdimensional matrix of energy aligned with interdimensional purposes, which are accomplished by the interaction of Light-craft and stone circles, as in this case. This is also true with other Light-conceptions which occur within mountain caves, such as the conception of Lizbett within the mountain cave in Mount Bugarach. I have also been told there was a great confluence of Light-craft and intergalactic consciousness, which facilitated the Light-conceptions of my father and some of my aunts and uncles, who are of my father’s generation.
It is that on occasions such as this one at Stonehenge, that we are now over-lit by a Pleiadian Light-craft. That is to say, it is of the Light – beings of light, in complete unified Oneness, have co-created what is called a ‘Chariot of Fire or a Chariot of the Sun’ – some call this living Light-craft a group Mer Ka Ba energy field. This Light-craft is not physical. Although it utilizes the energies of the Earth, it is not bound by gravity or by physical plane frequencies. It is more aligned with cosmic frequencies of Light, Sound and Colour. It is intergalactic in origin, although the beings present on this particular Light-craft are attuned with the higher ascended consciousness vibration of the Pleiades. Of the kinds of cosmic technology present, sound technology is particularly important for the regenerative work we are currently facilitating. Sound technology especially enhances the harmonic interaction of the Light-craft, the blue stones and our unified consciousness – the Magdalene–Druids who are very carefully attuned and calibrated with one another.
[Johannes, Son of Yeshua]
Anna, the voice of the Magdalenes
Celtic Beltane (May 1) In Gaelic tradition (especially Ireland and Scotland), Beltane (or Bealtaine) marked the beginning of summer and one of the four major fire festivals of the Celtic year. Great bonfires were lit on hilltops (often from bones — hence “bone-fire”) to purify the land, protect livestock, and encourage fertility. People drove cattle between two fires for blessing. Homes were decorated with flowers and greenery. It was considered a powerful time for magic, courtship, and the meeting of the human and fairy worlds.
Similar spring rites existed in other cultures, such as the Germanic Walpurgis Night and the Welsh Calan Mai.
These pagan traditions survived in rural Europe and evolved into medieval folk celebrations involving:
- Maypoles (tall poles decorated with ribbons, around which people danced)
- Crowning a May Queen (and sometimes a May King)
- Morris dancing
- Collecting flowers and “bringing in the May”
