Sphinx

The great Shemozan or Sphinx of Gizeh, Egypt.

INDEX TO ILLUSTRATIONS The Supreme Cycles, Epi-cycles and Links 19 Epi-cycle of Life Material 26 Epi-cycle of Space Measurable 32 Epi-cycle of Time Divisible 38 Epi-cycle of Life Spiritual 50 The Map of Atlantis 63 The Map of Atara ^ 83 The Stage of the Capitol of Atl'antis 88 The Atlantian- Alphabet 173 The Atlantian Punctuation Marks 175 The Atlantian Figures 177 The Atlantian Calendar 181 Inscriptions 183 to 186 The Government Monument of Atlantis 187 Inscriptions 192 to 203 The Cycle of Architects 212 The Portrait of Agatha Menkara 215 The Portrait of Shemoz'an 219 The Great Shemozan (Sphinx) at Gizeh, Egypt 221 The Atlantian Cemetteza 227 The Egyptian Itmas 227 The Egyptian Itmases 227 The Assyrian Kisax 227 The Grecian Qxunze 227 The Cycle of Prose Authors 294 The Cycle of Poetry Authors 308 The Cycle of Tone Poets and Musicians 327 Atlantian Music Representations 331 to 337 The letone (an Atlantian Musical Instrument) 341 The Urethea (an Atlantian Musical Instrument) 342 The Ethereleum (an Atl'antian Musical Instrument) 345 The Denondrick (a pre-historic Egyptian Musical Instrument) 351 The Lezro (a pre-historic Grecian Musical Instrument) .

(The colossal idea of the great Sphinx at Gizeh, Egypt, was conceived by Shemozan, through his knowledge of the physical grossness of the pre-historic Zentha.) It was of various colors.

In regard to your query, relative to the Great Sphinx at Gizeh, I will say that the Colossal Shemozan, or now known ' "Sphinx," at the base of the great Pyramid at Gizeh, Egypt, of which so little is known by mortals, was, in one sense, of Atlantian construction and sculpture, it having been designed and constructed by Atlantis Shemozan, the first Shacha (ruler), and his son, Atlantis Saban, the second, and subsequent Shachaza (rulers), descendants of the Cuzetens, which latter-named people were descendants from remnant Atlantians, who survived the • 215

Submerj^ed Atlantis Restored great submergence of the Atlantian Continent, and had settled in the region now occupied by the Great Sphinx.

iment as such, and after they had passed into the spirit existence, were recognized as "gods," under the title of "Atlantis." The surname of "Shemozan" was retained, to identify the now known Sphinx, on account of the illustrious disembodied man having teen the first "Shacha," and the designer of the Sphinx, in the first period of its establishment.

Shemozanza, the plural of Shemozan, was the term used, in that sense, for many generations by the Cuzetens, after which both terms were changed to "Sphinx" and "Sphinxes." The term "Sphinx" was adopted for that class of sculpture from the fact that it (like the Atlantian term Sponza, from which it was derived through the Greek and Latin) represented sculptures, the forms of which were those of the human and the animal combined, such as Andro and Giro- Sphinxes.

But, as above stated, the term Spon'za, and its plural Sp6n-za (the distinction between the singular and plural being in the syllable accent only), was handed down, and retamed, by other Atlantian remnant peoples than the Cuzetens of this section, after the submergence, and changed to that of Sphinx and Sphinxes, through Egyptian, Greek and Latm dialects and usages.

\ The picture shown is from a spirit-drawn crayon portrait of Atlantis Shemozan, whom we have described as the establisher of the great Shemozan, or now known Sphinx of Gizeh, the first great Ruler and Architect of the Atlantian remnant people who settled in the region of Gas'bi-a, or now known district of Cairo and El-Gizeh.

The reader will note that the head, the general pose of the head, the visage and the style of the hair* are all very similar to the same characteristics m the Sphinx of Gizeh.

high ruler of material matters, or National conditions, and therefore raised the individual to the rank of "Supreme Ruler of State and Nation." The inscription at the bottom is written in the language, and alphabetical characters, used by the Cuzetens at the period of time when the Shemozan or Sphinx was constructed.

Originally, the same sign had place on the Shemozan or Sphinx, but is now obliterated, erased by the force of the ele- ments.

The second greatest Shacha was Atlantis Shemozan, who was a descendant from the Cuzetens, who dwelt in the then known ancient city of Jelt'mis, east of the now known Sphinx, and where Jeltmis, the first great architect, had built the "Temple of Jeltmis," a thousand years before.

Atlantis Shemozan won his title of Shacha, or ruler, by drawing the plan of the great Shemozan, or Sphinx, now having place at Gizeh, Egypt ; a plan which he executed by means of an indelible vegetable juice, and which when complete, was in the form of long tablets, then called Shaz ; i.

The great shaft opening at the rear center of the Sphinx, which perforates the whole body, leads to a labyrinthian passage, and ultimately to a tomb-chamber of considerable depth, which will be discovered in the future, by excavations.

Many tombs of small dimensions, built for the priests and priestesses, in this section, as well as that of the Sphinx, are now buried beneath the drifting sands and changeable soil, of the desert, some of which will yet be discovered, in evidence of our present revelation.

Therefore, the Shemozan, or Sphinx of Gizeh, is the oldest V

The "Great Cazuda of Abusir" was begun by Lieusemus II, in order to carry out the idea of greater work, which ability, vastness in concept, established the "choice of rulers" from the time of the construction of the Great Shemozan, of Sphinx at Gizeh, to that of the last Pyramid builders.

It had place about six miles to the east of the great Shemozan, or Sphinx, which latter was commenced about one thousand years later.

The Jeltmus was constructed out of rocks taken from the strata that extend southward from the Shemozan or Sphinx, which fact established the original pre-historic excavations that separated the Sphinx from the now known strata that appear a short distance southward from it, and at nearly the same elevation.

The idea of "greatness," in architectural structure, such as gave to the rulers their positions, and supremacy of power, in the age of the Great Shemozan, or Sphinx, also became strongly impressive in the minds of the Kings of the Fouth Dynasty; hence the Great Cazudas of Gizeh.

Menkara, and that the three small Cazudas on the east side of the Menkara Cazuda are not, as has been supposed, those of the three daughters of Menkara, but of much later date; and furthermore, that her Cazuda was built upon the western side of the Menkara Cazuda, and is now completely covered with the shifting sands, similarly to the covering, from time to time, of portions of the great Sphinx.

the works of Hillothean, Calluenden, and subsequent pre-historic Teliusa, as given above, which we utilize as the proper links with which to make the connection of pre-historic events in the Cycle of Architecture, which must be done principally in the regions of Egypt where the pre-historic and historic Necropolis sections are marked with such remnant monumental evidences as are em-bodied in the great Mastabas, Pyramids, Temples, Obelisks, the great Sphinx at Gizeh, etc.

Other evidences are, the great sphinx at Ghizeh (see illustration) ; the long line of sphinxes that leads up from the temple of El-Uksur, the work of Sep-se-iis, one of the principal marasze of the region, aided by his pupils and helpers.

The portion of the sphinx row as it leads to El-Karnak (now wholly ruined), was the work of Pay-han'ne-us, one of the original and principal marasze of the district, likewise aided by his pupils and helpers.

The statue of Chephren, found in the rock-cut temple at Ghizeh, and other sculptural work, originated, planned and wrought, by Le-c6mp'te, a maras of that section and period; the great Sphinx at Ghizeh (See chapter dealing with Sphinx) ; the Sitting Memnon in the sepulchre of Osymandys (the Memnonium), a colossus sixty feet in height, with face seven feet in length, ears three feet six inches long, and shoulders twenty-six feet across, work of C6n'tre"zel, one of the principal marasze of that section and' period ; the two colossal statues of Rameses the Great that formerly stood before the great temple of Ptha, in the ancient city of Memphis, now lying on their backs amid the palms, the only remains of the once famous city of Memphis, are the work of Men-ze-u'les, the principal marasze of that section and period, who, in co-operation with his pupils, and their subsequent descended influences, gave rise to most of the sculptural works of that ancient city.

The elaborate backgrounds to the groups, wrought from the time of the second empire to the reign of Essar-Haddon, which support rich and intricate groupings; the skillfully-wrought vegetable form representations and landscape outlinings, in the period of the reign of Assur-bani-pal ; scenes from the harem, as the King reclining, with his wife at his side, banqueting under the shade of vines, etc.; the bas-reUef sculpture characterized with colorings of red, blue, black and white, principally to represent eyes, hair, and garment fringes (the same idea conceived by the Greeks, though not borrowed from the Assyrians, but under direct spirit inspiration, etc., which fact is wholly responsible for the seeming transition of the one into the other) ; the female head in high relief, Nineveh collection (British Museum) ; the sphinx, in high-relief, and a plaque, Nineveh collection, wrought from ivory, etc., all form evidential links of inherent life of an Art.

C., and the Shemozan, or Sphinx, at Gizeh credited to two Atlantian rulers who bear the name Atlantis (p.

The illustration index places her portrait at printed page 215, a portrait of Shemoz'an at 219, and the Great Shemozan, the Sphinx, at Gizeh at 221.

What he claims, on the pages I use: an advanced civilization in Atlantis around 10,000 BC, a flood he figures at about 9600 BC, a Sphinx of at least 10,000 years on water weathering, drowned stone at Yonaguni, in the Gulf of Cambay, and off Cuba, and a worldwide list of Atlas names.

The Sphinx.

The Sphinx paragraph is his own.

The Sphinx, which Egyptologists say is less than 5,000 years old, is actually at least 10,000 years old based on its weathering alone.

In October 1991, Dr Robert Schoch, a geologist at Boston University, presented detailed evidence that the Sphinx was thousands of years older than the commonly accepted date of 2500 BC.

Schoch estimated that the Sphinx had to be between 9,000 and 12,000 years old, when the climate in Egypt was much wetter.

The Alford passage, as Dubay prints it, grounds that estimate in the vertical weathering in the limestone trench around the Sphinx, which he says geology would read as prolonged rainfall, against the dry weather in Egypt since 2500 BC.

286 (Sphinx, at least 10,000 years, and Schoch's 9,000 to 12,000 against 2500 BC), file p.

The file before the Sphinx is a political essay.

Beside those, his own Sphinx sentence says at least 10,000 years, the Alford passage he prints says Schoch estimated 9,000 to 12,000 years in October 1991, Yonaguni has been underwater since at least 8000 BC, and the Cambay remains are carbon dated around 7500 BC.

He also treats the Sphinx weathering, and a helicopter among the Abydos hieroglyphs, as evidence that the usual Egyptian dates are too late.

He names the places the later chapters use: Mexico, Japan, China, Australia, the Himalayas around Kanchenjunga and Manali, the pyramid of Khufu and the Sphinx, a steel cube in Austria, the Bibliothèque de l'Arsenal and Jean Bailly, the Denderah zodiac in the Louvre, the British Museum, and the Hermitage.

Arab accounts of moving walls and of flashes inside the pyramid are, in his suggestion, a generator still under the building or under the Sphinx.

The Sphinx section ties the lion body to the age of Leo, and the dream of Thutmose IV to a clearing of the sand.

He hopes for a vault under the Sphinx or under the pyramids.

The Sphinx.

217 he writes that Egypt's Sphinx has long been rumored to be a repository of ancient Atlantean technology.

I did not find a chamber, a text, or a year of his own for the Sphinx.

On the next file page he makes the Atlantis link in his own voice, and he uses the Sphinx as the comparison.

Egypt's Sphinx has long been rumored to be a repository of ancient Atlantean technology.

217 (the Sphinx rumor, Schlemmer 1993, Altea's colony, July 2021), file p.

He also repeats a rumor that the Sphinx is a repository of Atlantean technology.

The Sphinx line is marked as a rumor.