Application: Atlantis’s priests, ruling a long golden age (Matías’s advanced era), foresee the cycle’s end—provoking it with rituals (twins, crystals) to halt fate, mirroring Yima’s defiance and strengthening the case for a knowing, triggered fall.
Seeking to preserve unity—twin energies fused (Golokhvastoff)—they defy fate with rituals (crystals, “black magic”), provoking a deluge.
Tales hint at “stones that speak” or “seeds of power,” possibly symbolic of resonant objects or sacred knowledge, akin to Quechua “light stones” but less material than Atlantis’s crystal tech.
Stories mention "light stones" or "singing stones," likely crystals or resonant rocks, used for healing, divination, and energy.
Prophetic Tools: Liu’s texts hint at “mirrors of the sky”—reflective devices (bronze or crystal?) used to foresee events across time.
This isn’t mechanical but esoteric, likely involving rituals, incantations, or energy manipulation (e.g., crystals, astral forces).
The inhabitants are depicted as detached, almost dehumanized, living in a world of “mirrors and crystal” where emotion and history are erased.
Crystalline Aesthetic: The “crystalline towers” and “mirrored surfaces” evoke a material technology of precision and reflection—perhaps a poetic stand-in for advanced architecture or energy systems (e.g., crystals as harmonic resonators in occult lore).
Symbolic Space: The “mirrors and crystal” imply a self-contained, almost otherworldly realm—less a continent than a state of being.
The central event—an experiment to create an androgynous being—suggests alchemy or esoteric rituals involving energy manipulation, possibly crystals or astral forces, reflecting Russian occult traditions.
Technology: Ayahuasca reveals advanced agriculture (terraces, irrigation), astronomy (aligned temples), and energy work (e.g., “light stones” or crystals).
Technology: Spiritual or energy-based (crystals, qi, rituals) over mechanical, except Khlebnikov’s abstract futurism.
Crystal Sands: Pure crystalline particles originating from the comet that created the Gulf of Mexico.
These crystals hold powerful cosmic memories.
Homes consist of vast, colorful tapestries interwoven with crystals, suspended between mountains to provide privacy.
Andromeda is a land of vibrant flowers, towering trees, and abundant crystals, visible in grasslands and oceans.
Crystal instruments produce enchanting music, complemented by chanting and group dances.
Keppe claims Atlantis was technologically more advanced than modern civilization, with aerial vehicles and profound knowledge of crystals.
These crystals played a central role in spiritual and technological practices in Atlantean society.
Atlanteans used crystals as tools for connecting with a higher intelligence.
He predicts a transition to the "Crystal and Golden Age," which will follow the "Final Conflict" described in various prophecies.
In the 1920s, the “sleeping prophet,” Edgar Cayce, saw Atlantis as a continent-size region extending from the Azores to the Bahamas, with ships and aircraft powered by a mysterious form of energy crystal.
Known as the "sleeping prophet," Edgar Cayce claimed in his readings that Atlantis was a technologically advanced society destroyed by misuse of energy, particularly crystal technology.
The book describes Atlantis as a highly advanced civilization with technologies like airships, energy crystals, and sophisticated infrastructure.
To experience physical reality, the soul condenses certain aspects of itself into a "crystal seed" at the center of the sphere.
The physical mind (crystal seed) and the higher mind (soul) communicate through energy messages.
These moons are reported to have varied ecosystems, including forests, crystal landscapes, and volcanic regions.
The team discovers remnants of a surviving Atlantean civilization, including its princess, Kida, and an energy crystal integral to the city’s survival.
Discovery of Atlantis: Milo and his team find the remnants of a dying Atlantean civilization in an underwater cavern, supported by a magical crystal containing the spirits of ancestors.
Crisis of the Crystal: The crystal’s energy fades after thousands of years.
It merges with Kida, prompting Milo and the team to save her and restore the crystal’s power.
The crystal represents a collective spiritual energy, rooted in ancestor worship traditions from ancient cultures like Egypt.
The spinning crystal evokes imagery of Saturn, a planet historically associated with myths of the Golden Age and significant disasters.
Into my cup of bitterness You hast poured nectar and sweet crystals.
O you**** heavenly places in the Nirvanian Mountains of Itis and Vairiyonirom; and in the crystal fountains of Ittiyivius, the great summer visiting place of millions of Gods; in the high Clefts and Arches of Yasinosa!
Lauding their seventy million schools and colleges, and their sea Seinthius, with its waters of silver and gold, and three million crystal stalagmites.
In the meteoric regions (which are above such clouds as produce rain) corpor also present''' three stages of development, which are: Ash-clouds, transparent or otherwise; and crystal needles; and meteoric stones.
Compare a needle to a transparent glass crystal.
And the ethereans held up snow-flakes, saying: In the name of Jehovih we declare unto you, that the etherean worlds are larger than the earth, and penetrable, and full of roadways of crystals, and arches, and curves, and angles, so that were man to travel a million of years on one alone, he could not see half its beauty and glory.
The fairies, the butterfly angels, the triflers, that forever look in crystal waters to behold their own forms, said: This is heaven!
Where the etherean worlds, rich in the glitter of swamps shining on the countless rainbow arches and crystal pyramids, afford an extensive view of the new Orian boundaries of Oteson's broad kingdoms.
Presently the curtains swept across the high pyramid of the capital, and then the transparent blankets and crystal frame-work; and now shot down the anchors, three hundred thousand; lower and lower, slowly came the mighty ship, till her screen-work, from which the anchors hung, touched the very floors of the capital; and, all radiant with holiness, before God and his hosts stood the ethereans, the glory of the most high heavens.
A light came down from the etherean firmament, and covered the throne over with a canopy, wide enough for five million men to sit under; and at the borders of the canopy, the ethereans, whose work it fell to, sat up columns of crystals, opaque and transparent, illuminated in all possible colors and shades and tints.
Hoab consented, and they walked along, seeing the inhabitants lying at ease, some amusing themselves weaving threads of light, then unraveling them and weaving them over again; others playing with crystals and lenses and opaque and transparent elements, but not doing anything for another; nor, in fact, needed they, for all were capable of doing for themselves.
We sail through a thousand of Thy crystal worlds and talk of great distances, but the mirror of Thy boundless creation lie still before us.
Shout it abroad in the crystal heavens of the summering Lords of Wok and Ghi and M'goe and Ut'taw; call them to the red star speeding forth.
Crystals, and high arches on every hand.
Description: Carved crystal skulls alleged to date back to the Aztec or Mayan periods.
Description: A piece of ground rock crystal found in an Assyrian palace, dating back around 3,000 years.
Buried crystals from Atlantis, connected to the civilization, are real.
The Lemurian quartz crystals hold records but cannot currently be accessed.
A report from 1930 in the British Journal of Physiological Optics discussed lenses made of rock crystal and materials such as ivory, steatite, and onyx.
The Nimrod Lens, a convex rock crystal artifact found in Nineveh, was presented by Sir David Brewster in the 19th century.
At Valencina de la Concepción in Spain, archaeologists uncovered crystal artifacts, including arrowheads and a dagger blade, within a large megalithic tomb.
The rock crystal used remains of unknown origin.
These findings challenge existing academic narratives about prehistoric technologies, as similar artifacts in the region were typically made from flint, not crystal.
Artifacts like the Nimrod Lens, the crystal weapons in Spain, and Italy's polygonal masonry serve as evidence for this theory.
As Atlantis advanced, they began using crystals and other tools to enhance healing, communication, and spiritual growth.
Lakeshma explains that Atlanteans utilized advanced crystals, which were sourced from other worlds, for healing and enhancing consciousness.
Crystals and other energetic tools were used extensively, though she emphasizes that in today's society, people can access similar healing energies without such external aids.
Use of Crystals: Crystals, particularly copper and grounding stones, are suggested to help maintain and direct energy flow, blocking unwanted energies.