Table of Contents
At the age of seven, during a ceremony in the local Temple of Sound, which we explain more fully later, each child was presented with a metal plate or tray tuned to the vibration of his name, so that he could travel above the ley lines – the energy lines around the planet.
The owner of the plate sat on the tray and hit it with a special stick or wand, which created a specific vibration so that it would rise above the ground. By focusing on his desired destination, the traveller could direct his tray accordingly. Many adults travelled locally by the same method. We believe that the universal myth of the magic carpet came from stories passed down about these plates.
The metals of each tray were chosen according to the planet of the person’s origin and most of these are no longer present on the Earth. The universe works on a ‘need to have’ basis. As something is necessary, it becomes available, and when our frequency rises again we will once more be able to access the cosmic materials that have currently been withdrawn. Because of the magnetic force of the ley lines, when powered by the sun or moon, it was much easier to travel along them in daylight or at full moon – and impossible when there was an eclipse.
Accordingly the Magi kept advanced calendars, which notified everyone of the lunar phases, and predicted solar or lunar eclipses. It was vitally important to know when there was no power, for at those times all flying craft had to land. Of course, the most powerful time for travel was at the full moon, which was a period of great female potency because this was when women collectively menstruated. (This still happens in indigenous cultures which work with the natural cycles of life, or where groups of women, such as nuns, live together).
On that night each month, certain gifted women flew along the ley lines to meet together, to talk, share their secrets and expand their sacred knowledge. In early Atlantis, at a time when female wisdom was admired and revered, this practice was accepted as normal. However, as Atlantis devolved, the superior female wisdom and power was considered to be a threat by the men, who did not work together as the women did.
The physically stronger males started to make women subservient, even forcing them to cover their heads and wear rings as a symbol of inferiority and ownership. Centuries later, in the dark days of the Middle Ages, when the masculine-dominated church attempted to destroy the feminine power, wise women, mediums, healers and herbalists were burnt at the stake.
In order to frighten people into acceptance, wise women were depicted as black witches flying across the full moon. This was a distortion of a memory, lingering in human consciousness, from Atlantis. Atlantean families tended to stay together and extended their homes to accommodate new generations.
At the same time, bloodlines were discouraged from intermarrying. So there were many inter-community functions, sporting events, creative exhibitions, concerts and celebrations to which the people from the other tribes were invited and which allowed young people to meet and marry.
The bride or bridegroom would join the partner’s family, so inevitably there was much travelling to visit and keep in touch. Many people travelled on huge airbuses, which moved along the various frequencies at differing heights. They gathered at stations to get onto their transports, which travelled at what would now be inconceivably high speeds, silently and without causing any pollution.
Discover Atlantis
As Atlantis expanded, the people needed to be balanced and healed. Temples of sound were created, which were circular and built to a specific height and width – the height being half the longest measurement. This meant that the pitch within was perfect. Sound was used for healing, regeneration of limbs, detoxification and to help maintain a high frequency. People also went to these healing sound chambers to align their chakras. It was in a temple of sound that each child received his travel plate so that he could fly above the ley lines.
Discover Atlantis
Magic Carpets
Magic carpets originated in Middle Eastern folklore, specifically from the One Thousand and One Nights (also known as the Arabian Nights). They were deeply inspired by pre-Islamic legends from Jewish and Islamic traditions, which claimed King Solomon used a divine carpet to control winds and demons for rapid transit.
The legend of the flying rug has evolved through several rich cultural stages:
- The King Solomon Myth: Early folklore features King Solomon—aided by angels or jinn—possessing a majestic carpet that could carry his entire army.
- Arabian Nights: The concept of the classic “magic carpet” was popularized in a specific tale from the Arabian Nights (“Prince Husain and the Fairy Perī Bānū”), where a prince purchases a magical carpet in India that acts as instant transportation.
- Russian Folktales: The motif also independently appeared in Eastern European folklore (often involving the witch Baba Yaga), where it became known as a self-flying carpet or a magic ship.
