Chronos of Atlantis Heinrich Schliemann
The sentence read 'From the King Chronos of Atlantis.'
"An inscription which I excavated at the Lion Gate at Mycenae in Crete recites that Misor, from whom, according to the inscription, the Egyptians were descended, was the child of Taaut or Thoth, the God of History, and that Taaut was the emigrated son of a 'priest of Atlantis, who having fallen in love with a daughter of King Chronos, escaped and landed after many wanderings in Egypt.' He built the first temple at Sais and there taught the wisdom of his native land.
The owl headed vase was unique, of obviously extraordinarily ancient origin and on it I read the inscription in Phoenician characters: "From the King Chronos of Atlantis." I hesitated for days to break it for I still thought that the last letter of my grandfather might have been the result of a mind weakened by the approach of death.
And here were two of the same kind in a sarcophagus of a priest of the First Dynasty of the Temple of Sais, the temple which held the records of Atlantis and whose priest had recited them to Solon--their temple which had been founded by a son of Atlantis who had run away with a "daughter of Chronos," the name of which was on the vase of Hissarlik that held the coin!
All this is immensely important in view of the announcement of the "Chronos of Atlantis" vase found there.
England, with a civilization Atlantean in origin, peopled by races from the same source, is repeating in these modern times the empire of Zeus and Chronos; and, just as we have seen Troy, Egypt, and Greece warring against the parent race, so in later days we have seen Brittany and the United States separating themselves from England, the race characteristics remaining after the governmental connection had ceased.
Poseidon was at the base of them; the first hierophant, Eumolpus, was "a son of Poseidon," and all the ceremonies were associated with seed-time and harvest, and with Demeter or Ceres, an Atlantean goddess, daughter of Chronos, who first taught the Greeks to use the plough and to plant barley.
Amon, king of Arabia or Ethiopia, married Rhea, sister of Chronos, who reigned over Italy, Sicily, and certain countries of Northern Africa." Dionysos, according to the Egyptians, was the son of Amon by the beautiful Amalthea.
Chronos and Amon had a prolonged war; Dionysos defeated Chronos and captured his capital, dethroned him, and put his son Zeus in his place; Zeus reigned nobly, and won a great fame.
The Greeks tell us that Adonis was the lover of Aphrodite, or Venus, who was the offspring of Uranus--"she came out of the sea;" Uranus was the father of Chronos, and the grandfather of Poseidon, king of Atlantis.
Sanchoniathon tells us that "Chronos (king of Atlantis) visited the South, and gave all Egypt to the god Taaut, that it might be his kingdom." "Misor" is probably the king "Mestor" named by Plato.
Chaldean:The god Chronos in a vision warned Xisuthrus, the tenth king of Babylon, of a flood coming on the fifteenth day of the month of Daesius.
Xisuthrus asked where he should sail, and Chronos answered, "to the gods, but first pray for all good things to men." Xisuthrus built a ship five furlongs by two furlongs and loaded it as ordered.
There are many things to connect the mythology of the Gothic nations with Atlantis; they had, as we have seen, flood legends; their gods Krodo and Satar were the Chronos and Saturn of Atlantis; their Baal was the Bel of the Phœnicians, who were closely connected with Poseidon and Atlas; and, as we shall see hereafter, their language has a distinct relationship with the tongues of the Arabians, Cushites, Chaldeans, and Phœnicians.
The Phœnicians tell us, "Ouranos had by Ge four sons: Ilus (El), who is called Chronos, and Betylus (Beth-El), and Dagon, which signifies bread-corn, and Atlas (Tammuz?)." Here, again, we have the names of two other kings of Atlantis.
The Greek Uranos was the father of Chronos, and the ancestor of Atlas.
In the Phœnician mythology Chronos raised a rebellion against Ouranos, and, after a great battle, dethroned him.
In the Greek legends it is Zeus who attacks and overthrows his father, Chronos.
Chronos gave Attica to his daughter Athena, as in the Greek legends.
"Chronos visits the different regions of the habitable world."
They were ruled over by Chronos." (Ibid., p.
Chronos, or Saturn, Dionysos, Hyperion, Atlas, Hercules, were all connected with "a great Saturnian continent;" they were kings that ruled over countries on the western shores of the Mediterranean, Africa and Spain.
"Hyperion, Atlas, and Saturn, or Chronos, were sons of Uranos, who reigned over a great kingdom composed of countries around the western part of the Mediterranean, with certain islands in the Atlantic.
In other words, this tradition refers to an ancient time when the forefathers of the Greeks were governed by Chronos, of the Cronian Sea (the Atlantic), king of Atlantis, through civilized Atlantean governors, who by their wisdom preserved peace and created a golden age for all the populations under their control--they were the demons, that is, "the knowing ones," the civilized.
This is made the more evident when we read that this region of the gods, of Chronos and Uranos and Zeus, passed through, first, a Golden Age, then a Silver Age--these constituting a great period of peace and happiness; then it reached a Bronze Age; then an Iron Age, and finally perished by a great flood, sent upon these people by Zeus as a punishment for their sins.
"Men were rich then (in the Silver Age), as in the Golden Age of Chronos, and lived in plenty; but still they wanted the innocence and contentment which were the true sources of bu man happiness in the former age; and accordingly, while living in luxury and delicacy, they became overbearing in their manners to the highest degree, were never satisfied, and forgot the gods, to whom, in their confidence of prosperity and com fort, they denied the reverence they owed.
And this identification of the land that was destroyed by a flood--the land of Chronos and Poseidon and Zeus--with the Bronze Age, confirms the view expressed in Chapter VIII.
The foregoing description of the Golden Age of Chronos, when "men were rich and lived in plenty," reminds us of Plato's description of the happy age of Atlantis, when "men despised everything but virtue, not caring for their present state of life, and thinking lightly of the possession of gold and other property;" a time when, as the chants of the Delaware Indians stated it (page 109, ante), "all were willingly pleased, all were well-happified." While the description given by Murray in the above extract of the degeneracy of mankind in the land of the gods, "a period of constant quarrelling and deeds of violence, when might was right," agrees with Plato's account of the Atlanteans, when they became "aggressive," "unable to bear their fortune," "unseemly," "base," "filled with unrighteous avarice and power,"--and "in a most wretched state." And here again I might quote from the chant of the Delaware Indians--"they became troubled, hating each other; both were fighting, both were spoiling, both were never peaceful." And in all three instances the gods punished the depravity of mankind by a great deluge.
If we needed any further proof that the empire of the Titans was the empire of Atlantis, we would find it in the names of the Titans: among these were Oceanus, Saturn or Chronos, and Atlas; they were all the sons of Uranos.
533): "Oceanus and Tethys were the children of Earth and Heaven, and from these sprung Phorcys, and Chronos, and Rhea, and many more with them; and from Chronos and Rhea sprung Zeus and Hera, and all those whom we know as their brethren, and others who were their children." In other words, all their gods came out of the ocean; they were rulers over some ocean realm; Chronos was the son of Oceanus, and Chronos was an Atlantean god, and from him the Atlantic Ocean was called by tho ancients "the Chronian Sea." The elder Minos was called "the Son of the Ocean:" he first gave civilization to the Cretans; he engraved his laws on brass, precisely as Plato tells us the laws of Atlantis were engraved on pillars of brass.
Uranos was deposed from the throne, and succeeded by his son Chronos.
Subsequently Chronos "yielded back to the light the children he had swallowed." This myth probably means that Chronos had his children raised in some secret place, where they could not be used by his enemies as the instruments of a rebellion against his throne; and the stone image of Zeus, palmed off upon him by Rhea, was probably some other child substituted for his own.
We have seen Chronos identified with the Atlantic, called by the Romans the "Chronian Sea." He was known to the Romans under the name of Saturn, and ruled over "a great Saturnian continent" in the Western Ocean.
Saturn, or Chronos, came to Italy: he presented himself to the king, Janus, "and proceeded to instruct the subjects of the latter in agriculture, gardening, and many other arts then quite unknown to them; as, for example, how to tend and cultivate the vine.
Poseidon, the first king of Atlantis, according to Plato, was, according to Greek mythology, a brother of Zeus, and a son of Chronos.
"The deity, Chronos, appeared to him (Xisuthros) in a vision, and warned him that, upon the 15th day of the month Dœsius, there would be a flood by which mankind would be destroyed.
Eudemus), the Sidonians posit before all things Chronos and Pothos and Omichle.
In the first place, Berosus tells us that the god who gave warning of the coming of the Deluge was Chronos.
Chronos, it is well known, was the same as Saturn.
The Romans called the Atlantic Ocean "Chronium Mare," the Sea of Chronos, thus identifying Chronos with that ocean.
The pillars of Hercules were also called by the ancients "the pillars of Chronos."
Here, then, we have convincing testimony that the country referred to in the Chaldean legends was the land of Chronos, or Saturn--the ocean world, the dominion of Atlantis.
In Greek mythology, Chronos is one of the Titans and the father of Zeus.
Chronos is famously known for being overthrown by his son Zeus.
Chronos swallowed his children to prevent them from usurping his power, but Zeus ultimately defeated him and freed his siblings.
In Greek mythology, Chronos is one of the Titans and the father of Zeus.
Chronos is frequently depicted with a sickle or scythe, symbolizing the passage of time and its inevitable impact.
The story of Chronos reflects the cyclical nature of power and time, highlighting themes of succession and the inevitable overthrow of the old by the new.
Connection to Atlantis: Donnelly extends Chronos’s role by linking him to the ancient and advanced civilization of Atlantis.
He suggests that the myths surrounding Chronos may have origins in Atlantean history and culture.
Father of Gods: Donnelly emphasizes Chronos’s position as the father of the Olympian gods, particularly Zeus, and connects this with broader themes of divine authority and cosmic order.
Time and Decline: Chronos’s association with time is used to symbolize the rise and fall of civilizations.
Donnelly suggests that the downfall of Atlantis can be seen as part of the broader cycle of time that Chronos represents.
Legacy: The story of Chronos, particularly his defeat by Zeus, is seen as a metaphor for the transition from one era to another, reflecting the changing fortunes of civilizations.
Titan and Historical Figure: Bridgman-Metchum also connects Chronos to the myth of Atlantis, portraying him as both a mythological figure and a possible historical one whose legacy influenced later cultures.
Father of Zeus: Like Plato and Donnelly, Bridgman-Metchum emphasizes Chronos’s role as the father of Zeus and the other Olympian gods, highlighting the familial dynamics and power struggles.
Time and Transformation: Bridgman-Metchum uses Chronos to symbolize the transformative power of time.
The fall of Atlantis and the rise of new civilizations are framed within the context of Chronos’s influence.
Cultural Impact: The myths of Chronos are seen as having a lasting impact on various cultures, with Bridgman-Metchum suggesting that the story of Chronos and Zeus influenced later mythologies and historical narratives.
Patriarch of the Olympian Gods: All three writers emphasize Chronos’s role as the father of Zeus and the other Olympian gods.
This establishes Chronos as a central figure in the divine genealogy and highlights his importance in the mythological hierarchy.
Overthrow by Zeus: The story of Chronos being overthrown by Zeus is a consistent theme, symbolizing the cyclical nature of power and the inevitability of change.
Symbol of Time: Chronos is universally associated with time, particularly its destructive and all-encompassing nature.
The myths of Chronos are used to illustrate the broader cycles of history and civilization.
Atlantean Influence: Both Donnelly and Bridgman-Metchum extend Chronos’s influence to the civilization of Atlantis.
They suggest that the myths surrounding Chronos may have historical roots in the story of Atlantis and its eventual decline.
Metaphor for Civilizational Change: Chronos’s story is used as a metaphor for the changing fortunes of civilizations.
The fall of Atlantis is framed within the broader context of time and transformation that Chronos represents.
Sickle or Scythe: Chronos is often depicted with a sickle or scythe, symbolizing the passage of time and its inevitable effects.
Cultural Legacy: The myths of Chronos are seen as having a lasting impact on various cultures.
Both Donnelly and Bridgman-Metchum suggest that the story of Chronos influenced later mythologies and historical narratives.
Zeus (Greek) overthrew his father, Chronos
He also tied Gothic flood legends, Krodo and Satar with Chronos and Saturn, and Baal with Bel in a Poseidon and Atlas orbit, toward a common origin that might be Atlantis.
Ouranos married his sister Ge, and in Phoenician mythology, Ouranos had by Ge four sons: Ilus (El), who is called Chronos, Betylus (Beth-El), Dagon (signifying bread-corn), and Atlas (Tammuz?).
Chronos raised a rebellion against Ouranos and, after a great battle, dethroned him.
This mirrors the Greek legend where Zeus overthrows his father, Chronos.
Chronos gave Attica to his daughter Athena, similar to the Greek legends.
During a time of plague, Chronos sacrificed his son to Ouranos and circumcised himself, compelling his allies to do the same.
Chronos traveled to different regions of the habitable world, giving Egypt as a kingdom to the god Taaut, who invented the alphabet.
Chronos (Saturn): The god who warned of the flood is linked to a great civilization in the Atlantic, matching Atlantis’s description.
Chronos traveled to different regions of the habitable world, giving Egypt as a kingdom to the god Taaut, who invented the alphabet. The Egyptians called him Thoth, and he was depicted as “the god of letters, the clerk of the under-world,” bearing a tablet, pen, and palm-branch.