Maya

Does the 26,000-year cycle discussed by the Maya connect to all this?

He extends this influence to ancient American civilizations, such as the Aztecs and the Maya.

According to the Phoenicians, the art of writing was invented by Taautus, known to the Egyptians as Thoth, or "the first Hermes." This figure is associated with Maia, a daughter of Atlas, and the Maya of Central America (Baldwin's "Prehistoric Nations," p.

Surprisingly, Central America had its own phonetic alphabet, as demonstrated by the Maya alphabet.

The Mayas, who claim their civilization came from across the sea from the east (Atlantis), inherited their alphabet from the Colhuas, whose era ended around 1000 BCE.

When comparing the Maya alphabet with the European alphabets, several similarities are evident.

For instance, the letter "h" in Maya is simplified in a manner similar to the archaic Greek and Hebrew forms.

The Maya "o" resembles the circular forms used in Phoenician and other alphabets.

Other letters, such as "k," "n," and "t," also show significant resemblances between the Maya and ancient European alphabets.

This can be seen in the transformation of the Maya "pp" to simpler forms found in European alphabets.

Comparing individual letters, such as "q," "c," "g," "p," and "l," between the Maya and European alphabets reveals a pattern of simplification and adaptation.

These letters, along with others like "b," "e," "i," and "m," demonstrate a clear lineage from the Maya hieroglyphs to the phonetic signs used in the Old World.

The numerous resemblances between the Maya and European alphabets suggest a common origin, likely from Atlantis.

If the alphabet of the Phœnicians is kindred with the Maya alphabet, as I think is clear, then the Phœnicians were of the same race, or of some race with which the Mayas were connected; in other words, they were from Atlantis.

Verbal similarities between ancient European and American languages, such as Pan and Maya, suggest a shared linguistic heritage.

These dialects are well marked members of the Maya linguistic stock, and differ from that language, as it is spoken in its purity in Yucatan, more in phonetic modifications than in grammatical structure or lexical roots.

Such, however, is the fixedness of this linguistic family in its peculiarities, that a most competent student of the Cakchiquel has named the period of two thousand years as the shortest required to explain the difference between this tongue and the Maya.

The same blending of their most ancient legends with those borrowed from the Aztecs, recurs in the records of the pure Mayas of Yucatan.

Like the Mayas and Aztecs, they were a race of builders, skillful masons and stone-cutters, erecting large edifices, pyramids, temples, and defensive works, with solid walls of stone laid in a firm mortar. 

In a study of this subject, published during the present year, I have set forth their various terms employed in this branch of knowledge, and compared their system with that in use among the Mayas and the Aztecs.

But I am not aware that any example or description of it has been preserved, which would enable us to decide the highly important question, whether their system was derived from that of the Mexicans or that of the Mayas, between which, as the antiquary need not be informed, there existed an almost radical difference.

The year was not divided into lunar months, as was the case with the hunting tribes, but in a manner similar to the highly artificial and complicated system that prevailed among the Mayas and Mexicans.

This allotted to the solar year twenty months of eighteen days each, leaving a remainder of five days, which the Mexicans called nemontemi, insufficient; the Mayas n yail kin, days of pain or of peril, and the Cakchiquels api ih, days of evil or days at fault; and which were not included in the count of the months.

To this day, their relatives, the Mayas of Yucatan, attach implicit faith to the revelations of the zaztun, the divining stone kept by their sorcerers, and if it decrees the death of any one, they will despatch him with their machetes, without the slightest hesitation. 

The Cakchiquel Annals do not pretend to deal with mythology, but from various references and fragments inserted as history, it is plain that they shared the same sacred legends as the Quiches, which were, in all probability, under slightly different forms, the common property of the Maya race.

In the Cakchiquel Annals, as in the Popol Vuh and the Maya Chronicles, we hear of the city of the sun god, Tulan or Tonatlan, as the place of their origin, of the land Zuiva and of the Nonoalcos, names belonging to the oldest cycles of myths in the religion of the Aztecs.

In the first volume of this series I have discussed their appearance in the legends of Central America, and need not refer to them here more than to say that those who have founded on these names theories of the derivation of the Maya tribes or their ruling families from the Toltecs, a purely imaginary people, have perpetrated the common error of mistaking myth for history.

Columbus encountered the Mayas in a large, sail-equipped vessel, indicating a knowledge of sailing.

Successive ages in Maya and Vedic frames.

The Maya Popol Vuh opens in stillness and empty sky.

Augustus Le Plongeon, working with Alice Dixon Le Plongeon, excavated in Yucatán and built a diffusionist Maya-Egypt trail.

His Maya court narrative names Chaacmol (Coh), Aac, and Queen Moo from Chichen Itza and Uxmal iconography.

In that reading Egypt’s founding is tied to Queen Moo as a Mu refugee, with other refugees reaching Maya Central America.

On his tablet discovery claim, Churchward recounted discovering ancient clay tablets in India, written in a mysterious “Naga-Maya language.” Those tablets, he claimed, originated from Mu.

That is his Naacal (Naga-Maya) tablet source layer.

Churchward: Pacific, from Hawaii-Mangaia and Marianas-Easter spans, with Naga-Maya tablets as his source claim.

He proposes that human evolution happens in quantum leaps, following geometric patterns the ancient Maya had already described.

It lines up with the number nine, an important number in many creation myths around the world and one the Maya understood mathematically.

The Maya Popol Vuh has a similar story of four creations, in which humans are made from mud, wood and then maize.

The temple complex was built by the ancient Mesoamerican civilization of the Olmecs and later expanded by the Maya and Toltecs.

In the traditions of the Maya civilization, Kukulkan was considered a god of wind, rain, and learning, as well as a patron of cities and merchants.

Kukulkan played a significant role in the religious beliefs of various Mesoamerican cultures, including the Maya and the Aztecs.

Although Kukulkan was mentioned as a historical person by Maya writers of the 16th century, the earlier 9th-century texts at Chichen Itza never identified him as human and artistic representations depicted him as a Vision Serpent entwined around the figures of nobles.

Pakal, also known as K'inich Janaab' Pakal or Pacal the Great, was a prominent ruler of the Maya city-state of Palenque (in modern-day Mexico) during the 7th century.

The elaborate sarcophagus lid in the Temple of the Inscriptions depicts Pakal's image in a vivid and intricate manner, showcasing his importance and the Maya belief in the afterlife.

His dynasty continued to rule Palenque for several generations after his death, leaving a lasting legacy in the history of the ancient Maya civilization.

The roots penetrated deep into the nine levels of the Maya Underworld, the trunk was on the surface of the land, and the branches reached up to the thirteen levels of the Maya Upper-world.

The Maya, like other peoples of Mesoamerica, saw the world as ruled by powerful gods.

In the Maya view the cosmos had a strict order: thirteen levels in the heavens, nine in the underworld, and the human world between them.

The supernatural touched every part of Maya life.

Only three pre-Columbian Maya books and fragments of a fourth survive; one is the Madrid Codex.

Landa burned the Maya books at Maní in 1562.

On 12 July 1562, Diego de Landa had burned all the books and images of the Maya gods, which he was able to seize, at an inquisitorial court of law, an “autodafé,” in Mani, south of Merida.

The Paleoindian period in the Maya region (c.

In 2020 scientists found the largest known ancient Maya ceremonial structure, at Aguada Fénix in Tabasco, Mexico.

Radiocarbon dating of charcoal samples from the platform showed it was built between 1000 and 800 B.C., which also makes it the oldest known ancient Maya ceremonial structure.

https://abcnews.go.com/Technology/researchers-find-3000-year-maya-structure-larger-pyramids/story?id=71095913

Classic Maya civilization occupied much of present-day Mexico and Central America between 300 and 1000 AD.

In the early colonial period, an unknown nobleman of the Kʼicheʼ Maya wrote down the Popol Vuh in the Latin script.

There are hundreds of Maya sites across five countries: Belize, El Salvador, Guatemala, Honduras and Mexico.

In Belize, important Maya sites include Altun Ha, Caracol and Xunantunich.

In Guatemala, they say, tunnels have been mapped under the Maya pyramid complex at Tikal, running a full 800 kilometers to the other side of the country.

Investigators are said to have remarked that this showed how half a million Maya escaped the destruction of their culture.

Much of the religion section follows Robert Sharer and Loa Traxler, The Ancient Maya (2006), pages 91 to 93, as cited on Wikipedia's "Maya civilization" page.

But according to the Popol Vuh, the Book of the Maya, man first emerged only in the fourth divine creation, after three previous worlds had been destroyed by awesome catastrophes.

Krishna in the Gita: Tells Arjuna the world is maya and that the wise are not disturbed by death, birth, or destruction.

There are depictions of human figures in Maya art that appear to be blue in color, but it is uncertain whether these figures represent actual blue-skinned people or if they are symbolic or mythological representations.

One example of blue figures in Maya art can be found in murals and ceramic figurines from the ancient Maya site of Cacaxtla, in modern-day Mexico.

In other Maya art, blue is often used as a symbolic color, representing various concepts such as water, sky, and the underworld.

The Maya associated different colors with different directions, and blue was often associated with the west, which was seen as the direction of death and the underworld.