A hypnosis client describes two strange lives

Key points
Short quotes

Sarah Breskman Cosme guides Seline through a past life sitting. The pictures are replies to the hypnotist’s questions, not a history of Atlantis. Seline begins in a tight cocoon, fed by a tube, with a larger insect checking on her, and she guesses the hall is a breeding place. She reports wings, a strongly feminine form, and an exit led by the hand, like royalty on a stair. She takes that life as an accepted role, a steady leader who also guards and fights. The next scene changes body and place. Feet look partly avian, a dark road seems shaped to admit outsiders on paddle like machines, and a standing figure has a human body with a bird’s head, like an Egyptian wall painting. She also sees long crystals bunched together and drawing energy in. Asked for a place name, she tries Atlantis, then says she is probably inventing it. The sitting ends on questions about her illness, her work, and her home.

Key points

Seline’s opening report is a cocoon she compares with a breeding hall, fed by a tube and visited by a larger insect.
She says the body has wings and that leaving felt arranged, with someone leading her like royalty.
She understands that role as an accepted post of leader, guard, and fighter rather than a random birth.
A second scene gives her partly avian feet, a night road made for incoming outsiders, and a bird headed human.
She pictures a cluster of long crystals drawing energy toward themselves.
Atlantis is only a name she tries, and she immediately treats it as her own invention.
After the visions, the hypnotist asks about present illness, work, and family rather than another ancient scene.