And the mounds and tree-temples of the I'hins, the sacred people, small, white and yellow; the forefathers and foremothers of the great I'huan race, the half-breeds, between the brown burrowers in the earth and the I'hins.
The Creator looked, and lo and behold, the I'hins of Guatama stood before Him, the little people, white and yellow.
In the High North lay the kingdom of Olegalla, the land of giants, the place of yellow rocks and high spouting waters.
Olegalla it was who gave away his kingdom, the great city of Powafuchawowitchahavagganeabba, with the four and twenty tributary cities spread along the valley of Anemoosagoochakakfuela; gave his kingdom to his queen Minneganewashaka, with the yellow hair, long, hanging down.
The Great Spirit saw the tribes of Honga, they that stuck most to the I'hins, the sacred little people, white and yellow, oft marrying with them, thus preserving the stock to the Hand and Voice.
The unseen spake in the wind three sounds, E-O-IH, and was called by mortals Eolin, God of the wind; so Eolin showed himself in three colors: yellow, which is the highest color; blue, which is the coldest color; and red, which is the warmest color.
So, of them that came out of the arc of Noe'chi, was sin newborn; for the druks went in where they were drunk, saying: Lest the white people and the yellow people fall upon us, and our seed perish on the earth, make us of flesh and kin, bone and bone, blood and blood.
Of all colors (black, white, yellow, copper, red and brown) were the tribes of Ham; nevertheless, they were I'hins (Faithists), having flat nails and short arms, and of such as desired to acquire knowledge.
The same remarks hold in reference to yellow people.7 This would place the beginning of the Persians at about thirteen thousand years ago.
My chosen have shapely legs and arms, and feet and hands; and their hair growe long and straight, white and yellow.
Now, for the most part, all the people had become I'hins, small, white and yellow.
The I'hins were white and yellow, but the druks were brown and black; the I'hins were small and slender, but the druks were tall and stout.
Protect you* the I'hins, the little people, white and yellow; call them THE SACRED PEOPLE.
Etisyai sat at the feet of God, and the splendor of her glory, unadorned, save with white and yellow drapery, shone through all the talents Jehovih had given her, the perfection of purity, wisdom, and love, the like of which only Gods had looked on!
Finda was yellow, and her hair was like the mane of a horse.
He created four colors of people from red, white, black, and yellow earth.
The four Holy Ones made black, blue, yellow, and glittering hoops and threw them in each compass direction, and the water receded.
Pamary, Abedery, and Kataushy (Purus R., Brazil):Once upon a time, people heard a rumbling above and below the ground; the sun and moon turned red, blue, and yellow; and wild beasts mingled fearlessly with man.
Paria Caca climbed Matao Coto, a mountain which overlooks the village, and rising up as red and yellow hail, caused a torrential rainstorm.
Upon entering the Third World, or Yellow World, beings took physical form, descending into their bodies as spirit beings at the top of the head, a spot considered sacred.
This growth extends beyond physical life into what is known as the "beauty way" or the "yellow corn pollen path," a spiritual journey symbolized by corn pollen.
West: Gold or brass (yellow metal)
According to the Quiche tradition, there were four men from whom the races of the world descended (probably a recollection of the red, black, yellow, and white races); and these men were without wives, and the Creator made wives for them "while they slept."
They recognized four races of men--the red, yellow, black, and white men.
They themselves belonged to the "Rot," or red men; the yellow men they called "Namu"--it included the Asiatic races; the black men were called "Nahsu," and the white men "Tamhu." The following figures are copied from Nott and Gliddon's "Types of Mankind," p.
In the same way we find that the ancient Aryan writings divided mankind into four races--the white, red, yellow, and black: the four castes of India were founded upon these distinctions in color; in fact, the word for color in Sanscrit (varna) means caste.
The Egyptians, while they painted themselves red-brown, represented the nations of Palestine as yellow-brown, and the Libyans yellow-white.
The present inhabitants of Egypt range from a yellow color in the north parts to a deep bronze.
There can be no doubt that red, white, black, and yellow men have united to form the original population of America.
The other three races--yellow, black, and red--have no place in the Bible list of nations sprung from Noah." As, therefore, the Deluge of the Bible destroyed only the land and people of Noah, it could not have been universal.
"Let us observe, however, that probably the diluvian tradition is not primitive, but imported in America; that it undoubtedly wears the aspect of an importation among the rare populations of the yellow race where it is found; and lastly, that it is doubtful among the Polynesians of Oceania.
From this pleasant surprise my attention was attracted to the brilliancy of the walls about us, which seemed to flame with red, blue, green, yellow and all other tinted flashes of fire, so that I can find no simile more fitting than comparison to the sunlit dews on the myriad webs of morning lawn-spiders.
A liquid yellow as the light of morn was once distilled from out its heart, and drunk alone by sages, kings.
Those yellow forms thou namest first came to shape, and soon a nation formed, in that dim morn when in the time of dearth Atlantis drew her bread supply from plains now rank with growth of trees—with bloom that cloys the sense, where serpents twine amid the broad, lush leaves, and beasts prowl greedily among coarse reeds which stand where once great grains of maize did grow.
Ah, yellow slant of eye, the hordes we see, but glorious in their youth in that past day, when swarthy-browed the plunderers bold first set their feet on sands that teem with men who shrink from new conditions; bravery of soul of order that will suffer, yet not draw the sword on foe.
of scales the fish might deftly grow, embroidered with each name all set in gems of azure, yellow, too, I see the noble captains of the host affect—the color of the shifting light on corn, the yellow symbol, too, of holiness—the flower's heart—the center of an orb—the pigment pure that mellows flesh in tint.
Thus Asia—land of yellow peopling forms—had turned her mood unto that island fair, the home of her ancestry.
Each statesman holding in the hand which showed his monarch's ring—a gift all prized—a goblet fair of that rare fluid, yellow shot with rose, a wine distilled with care.
His locks were yellow as the light on corn, his form as pine the straightest, his mien a king's indeed, but—Olaf—!
Swift rowed the invaders; Olaf of the north at head of fleet to right; to left, the yellow men, and black and strong as tiger old and hardened in his fights rode men of Zambesi beside.
Atlantis with her eagles, yellow bloom of lilies at her prow, came swiftly; heeded not the stroke of missiles at her left and right.
Ethnological Types.—Atlantis as we shall see is said to have been inhabited by red, yellow, white and black races.
These four, though differing considerably from each other, have been called "yellow," and this colour may appropriately define the complexion of the Turanian and Mongolian, but the Semite and Akkadian were comparatively white.
Irtha bore three daughters—Lyda, Finda, and Frya—the mothers of the three distinct races, black, yellow, and white—Africa, Asia, and Europe.
Finda was yellow, and her hair was like the mane of a horse.
Among the various kinds of corn some is as yellow as gold.
Jofiel is introduced as the holy liberator who has imparted creation through the yellow ray.
This yellow ray symbolizes fundamental liberation and is key to the message.
Jofiel encourages the audience to meditate on the yellow ray and its impact.
The yellow ray brings inspiration, joy, and a connection to the solar deity.
However, the angel explains that the bright yellow may darken, symbolizing a human association with fear and cowardice.
Jofiel describes the Garden of Eden as the origin of the yellow ray in human consciousness.
The angel encourages the development of a strong will through the yellow ray, urging people to avoid indifference and compromise.
The yellow ray expands love, joy, and liberation throughout the universe, just as the universe itself expands.
Jofiel advises the audience to let this yellow light heal inner conflicts, dissolving any sense of separation.
The yellow ray can lift individuals into a state of ecstasy, joy, and freedom, broadening their consciousness.
It used to be much more yellow.
Some say it’s shifting back toward yellow, but I haven’t seen that yet.
The first color produced is red, and thence, by a constantly augmenting vibratile energy, orange, yellow, green, blue, indigo, violet, each spectrum-band being due to an exact and definite increase in the number of the vibrations.
The monsters were made with an eye to artistic proportion; their bodies were of carved gray, red or yellow sandstone, their eyes of sard, carnelian, jasper or other colored silicious stone, while fangs for their yawning mouths were made from gleaming white quartz, set on each side of the entranceway.
The different coloured ochres relate to the different parts of Marlu’s body: the red ochre is his blood, the yellow ochre is his liver, and the green ochre his gall.
Ochre has played a crucial role in Australian history, with Wilgie Mia producing significant quantities of both red and yellow pigments.
Yellow, precious gold!
As I paused, filled with delight at the idea that on both sides of me my eyes rested on virgin rock never exposed to the gaze of any man since earth began, I noticed that which set my pulses bounding with wild joy--right by my side, but a little in front, was a vein of yellow, ocherous-looking rock in which I saw many maculations of whitish, harder rock, which appearance was due to quartz bodies torn apart by the same shock which formed the cleft.
It is considered part of the Northern Celestial Hemisphere and is associated with various myths and legends, including those related to the Yellow Emperor.
According to some versions of the myth, the Yellow Emperor's mother saw a great flash of light from the Big Dipper, which led to his conception, emphasizing his celestial and divine origin.
The Yellow Emperor, also known as Huangdi, is a legendary figure in Chinese history and mythology.
Here are some key points about the Yellow Emperor:
Cultural Contributions: The Yellow Emperor is credited with a variety of important cultural and technological innovations, including the invention of the compass, the establishment of governmental structures, the development of traditional Chinese medicine, and the creation of the Chinese calendar.
Battle with Chiyou: One of the famous myths involving the Yellow Emperor is his battle against Chiyou, a tribal leader.
Emblem of Unity: The Yellow Emperor symbolizes the unity of the Chinese people.
Huangdi's Classic of Internal Medicine: This ancient text, attributed to the Yellow Emperor, is one of the foundational works of traditional Chinese medicine.
Temples and Festivals: There are numerous temples dedicated to the Yellow Emperor across China.
The Yellow Emperor remains a powerful symbol of Chinese heritage, representing the beginnings of Chinese culture and the continuous lineage of Chinese civilization.
the Yellow Emperor, or Huangdi, is said to have had a divine and somewhat mysterious origin.
The Yellow Emperor is traditionally said to have been born in Shouqiu, which is located in present-day Qufu in Shandong Province.
He is said to have united various tribes and clans through both his prowess in battle and his wise governance, ultimately becoming the Yellow Emperor.
Reign: He is considered to have been a grandson of the Yellow Emperor.
Reign: Also known as Gaoxin, he is another grandson of the Yellow Emperor.