Matias de Stefano on lives he says he remembers

Key points
Short quotes

Matias de Stefano, talking with Amrit Sandhu, presents his inner pictures as memories of other lives, not as history. The pictures began young, he says, including a white pyramid in green country with a woman beside it, and he once asked for a psychiatrist because he feared fantasy. He refuses a postcard in which he was only a princess in an Atlantean land. What he claims are family bonds from that setting, painful episodes he does not glamorize, and scenes he places in the future or in other dimensions. Remembering, for him, means drawing experience back into the heart. A line about an electron as his happiest memory is play, not a chronology. He treats deity as an old name for light, chakras as magnetism, and the sky’s wobble as about one degree every seventy-two years. Ahead he expects adaptation, including machines, and he will not call that good. Blame, he says, blocks a wider state that is already available here. He offers this as recollection and a mission.

Key points

He says childhood images, including a white pyramid in a green landscape, convinced him that other lives were available to him.
He rejects a simple Atlantis-princess story and instead describes family ties, suffering, and scenes he locates in the future.
Guides, in his telling, are partners who remind him of a task he already chose.
His electron remark is a joke about memory as connection, not a claim that a particle had a biography.
He maps chakras onto magnetism and ties cultural eras to a slow shift of the equinox.
He expects technological change, says he is not endorsing it, and treats blame as what keeps a person from a wider state.