God

It had long been a matter of interest to me to learn all I could of this band of Nature students, Incalenes, as they were sometimes called, from Incal, God, and "ene," to study.

Love is of twofold nature: love of God and of the Spirit, pure and undefiled, and love of sex, which may likewise be pure, though if the dominion of the animal in man be over it, and so not so that of the human, it shall cause the man to sin, for then it is lust.

I have tried to make thee van of all nations and thy name synonym with justice and mercy and love of God, and how hast thou requited me?

And of them it shall be said, 'They are the seed of Abraham!' And behold, even as now the Spirit of God is abroad in the land, immanent in the Sons of the Solitude, and ye do mock It, so in remote days shall His spirit become manifest and shall incarnate as the Christ, and so shall the perfect human glow with the Spirit, and become First of the Sons of God.

The spiritual framework of Atlantis, particularly in Poseid, is deeply intertwined with the worship of Incal, the sun god, who represents the source of all life, energy, and divine order.

Incalithlon - The Great Temple of Poseid, dedicated to the worship of Incal, the sun god.

Incal - The sun god, who represents the source of all life, energy, and divine order in Poseidii spirituality.

Central to Poseidii spirituality is the worship of Incal, the sun god, who symbolizes the source of all life and energy.

In Greek mythology, Mount Tmolus is personified as the god Tmolus, a mountain god and the son of Ares, the god of war, and Theogone.

He was also the judge in the famous musical contest between the gods Apollo and Pan.

One of the most well-known myths associated with Mount Tmolus is the musical contest between Apollo, the god of music and the lyre, and Pan, the god of the wild and rustic music played on the pipes.

Where the mountain feels like a divine touch-point and a kingship altar, it soft-touches Atlantis-era sacred geography: mountain houses of the gods, games, and royal testing.

Mount Arachnaeus holds a significant place in Greek mythology, primarily due to its association with the god Zeus.

The mountain was home to an ancient sanctuary dedicated to Zeus, where people would offer sacrifices to appease the god, particularly during times of drought.

The mountain's height and proximity to the sky made it a fitting location for worshiping Zeus, the king of the gods and the god of the sky and thunder.

In Greek mythology, Mount Athos is associated with the Gigantomachy, the epic battle between the Olympian gods and the Giants.

According to the myth, the giant Athos, in an attempt to overthrow the gods, hurled a massive rock at Poseidon, the god of the sea.

Autolycus, a figure in Greek mythology, is renowned as the son of Hermes, the god of trade, thieves, and travelers, and Chione, a mortal woman.

Autolycus was born to Hermes, the messenger god, and Chione, the daughter of Daedalion.

Mount Cyllene is most famous in Greek mythology as the birthplace of Hermes, the messenger god and the god of trade, thieves, and travelers.

The mountain, therefore, holds a special place in Greek mythology as the origin of one of the most important Olympian gods.

The mountain was home to a sanctuary dedicated to Hermes, where pilgrims would offer sacrifices and seek the god’s favor.

The mountain was also associated with the worship of other deities, including Pan, the god of the wild, shepherds, and flocks, who was often depicted playing his panpipes in the mountain’s forests.

When confronted by Apollo, Hermes used his charm and wit to appease the god, eventually becoming reconciled with him.

Pilgrims would travel to the cave to leave offerings and seek guidance, believing that the god’s presence lingered in the place of his birth.

Mount Cithaeron is also closely associated with the worship of Dionysus, the god of wine, fertility, and ecstasy.

The mountain was a major site for Dionysian rites, including the Bacchanalia, wild and frenzied festivals in honor of the god.

Various sanctuaries and altars dedicated to gods such as Zeus, Hera, and Dionysus were located on the mountain.

The natural springs, caves, and forests of Cithaeron were considered sacred, and rituals were performed there to honor the gods and ensure the fertility of the land.

In Greek mythology, Mount Etna was believed to be the forge of Hephaestus (known as Vulcan in Roman mythology), the god of fire and blacksmithing.

According to the myth, Hephaestus had his workshop beneath the mountain, where he crafted weapons and armor for the gods.

Mount Etna is also associated with the myth of Typhon, a monstrous giant who challenged the Olympian gods.

The ancient inhabitants of Sicily worshiped various deities associated with the volcano, including Hephaestus and the local god Adranus.

Rituals and offerings were made to appease these gods and to seek protection from the volcano’s destructive power.

In Roman times, Etna was also associated with the god Vulcan, and the volcano’s eruptions were seen as signs of the god’s presence.

The image of the god crafting weapons and tools in the heart of the volcano adds a divine dimension to the natural phenomena, blending mythology with the real-world experience of living near an active volcano.

They threatened war on the gods.

They threatened to make war with the gods in Olympus, and tried to set Mount Ossa on the top of Mount Olympus, and Mount Pelion on the top of Ossa, that they might scale heaven itself, and they would have done it too if they had been grown up, but Apollo, son of Leto, killed both of them, before they had got so much as a sign of hair upon their cheeks or chin.

These grew every year a cubit in breadth and a fathom in height; and when they were nine years old, being nine cubits broad and nine fathoms high, they resolved to fight against the gods, and they set Ossa on Olympus, and having set Pelion on Ossa they threatened by means of these mountains to ascend up to heaven, and they said that by filling up the sea with the mountains they would make it dry land, and the land they would make sea.

Meaning: Poseidon’s sons are giants who treat Thessalian peaks as a ladder so they can attack the gods.

The story is told in Greek, with Greek peaks, Greek gods, and Poseidon as father.

I put Poseidon-blood giants next to the Nephilim and Poseidon’s sea-god fatherhood on deities associated with fish, water, and the sea.

I label Gigantomachy as a separate gods-vs-Giants cycle.

Deities associated with fish, water, and the sea: Poseidon as Aloadae father / sea-god bridge.

The mountain was associated with the worship of the god Pan, the god of nature, shepherds, and flocks, who was often depicted as a half-man, half-goat figure.

The people of Erymanthos were devoted to the worship of the gods, but they primarily revered deities associated with the land and fertility, such as Demeter, Artemis, and Pan.

Despite living near a river, they did not give proper veneration to Poseidon, the god of the sea, earthquakes, and water.

In Greek mythology, gods were deeply concerned with the honors and sacrifices offered by mortals.

When a god felt neglected or disrespected, it often led to dire consequences for the offending city or region.

The once-thriving region was reduced to a watery wasteland, a stark reminder of the power of Poseidon and the consequences of neglecting the gods.

The myth served as a warning to other communities to honor all the gods, not just those they preferred or found most beneficial.

Hesiod, one of the earliest Greek poets, claimed that he was inspired by the Muses on Mount Helicon to write his epic poem "Theogony," which recounts the origins of the gods.

Poseidon, the god of the sea, intervened by striking the mountain with his trident, causing it to stop its ascent and remain at its current height.

The mountain was sacred to Apollo, the god of music, poetry, and prophecy, who was said to lead the Muses in their artistic endeavors.

The cave was dedicated to the god Pan and the nymphs, and it served as a refuge during times of war.

The cave became a place of worship dedicated to the nymphs and the god Pan, and rituals were performed there in their honor.

A sky god is hidden in a cave on Crete’s highest peak.

Meaning: a sky god is born and protected in a cave on Crete’s highest sacred mountain.

Home of the Greek GodsMount Olympus is best known as the legendary home of the twelve Olympian gods in Greek mythology.

According to ancient Greek religion, the gods, led by Zeus, ruled over both the divine and mortal worlds from their palatial residences atop the mountain.

The idea of Olympus as the dwelling place of the gods is central to Greek mythology, with its peaks imagined as the divine domain where the gods lived, feasted, and observed the affairs of humanity.

The twelve Olympians included Zeus (king of the gods), Hera (queen of the gods), Poseidon (god of the sea), Demeter (goddess of the harvest), Athena (goddess of wisdom and war), Apollo (god of the sun and arts), Artemis (goddess of the hunt), Ares (god of war), Aphrodite (goddess of love and beauty), Hephaestus (god of fire and metalworking), Hermes (messenger of the gods), and Hestia (goddess of the hearth).

One of the most famous is the Titanomachy, the epic battle between the Olympian gods and the Titans, a race of older deities.

Another notable myth involves the hero Heracles (Hercules), who was granted entry to Olympus after completing his Twelve Labors, achieving immortality, and becoming a god.

The nearby town of Dion, located at the base of the mountain, became a major religious center dedicated to Zeus and the other Olympian gods.

Pilgrims from all over Greece would visit Dion to offer sacrifices, participate in festivals, and seek the favor of the gods.

The sanctuary of Dion was also an important cultural hub, where theatrical performances, athletic contests, and musical competitions were held in honor of the gods.

The Macedonian kings, including Philip II and Alexander the Great, were known to venerate the gods of Olympus, often making offerings and seeking their blessings before embarking on military campaigns.

During the Roman era, the worship of the Olympian gods continued, and the mountain retained its religious significance.

However, as Christianity spread across the Roman Empire, the worship of the ancient gods declined, and Mount Olympus transitioned from a place of divine reverence to a symbol of the pagan past.

Its depiction as the home of the gods has been a central theme in Greek art, from ancient pottery and sculpture to Renaissance paintings and modern interpretations.

Its role as the abode of the gods makes it a recurring motif in stories that explore the interactions between mortals and the divine, as well as the consequences of hubris and the pursuit of power.

Its towering peaks and rugged landscapes have inspired generations, from the worshippers of the ancient gods to modern adventurers seeking to climb its heights.

Whether viewed as the mythical home of the gods or as a natural wonder, Mount Olympus continues to captivate the imagination and remains a central symbol of the enduring legacy of Greek civilization.

It was believed to be a sacred place dedicated to the god Dionysus, the god of wine, fertility, and religious ecstasy.

According to ancient sources, this oracle was one of the few dedicated to the god of wine, offering prophecies to those who sought them.

The priests of this oracle were believed to be able to enter a state of divine frenzy, during which they would deliver messages from the god.

In some versions of his story, Orpheus is said to have met his tragic end on this mountain, torn apart by Maenads (followers of Dionysus) after he rejected the worship of the god.

It’s where Free Will and Divine Will intersect, allowing us to fill out our power, our God-given sovereignty, and Free Will.

In the realm of Spirit or what Kryon calls "the other side of the veil," there is no singular location or place for souls because God and Spirit are omnipresent.

While female, Ilā marries Budha, the god of Mercury, and gives birth to Pururavas, the progenitor of the Lunar dynasty.

Scorpion People at Mount Mashu Centaurs at Mount Erymanthos The god Panwas often depicted as a half-man, half-goat figure.

Hea or Ea, the god of the Nineveh tablets, was a fish-god: he was represented in the Chaldean monuments as half man and half fish; he was described as the god, not of the rivers and seas, but of “the abyss”–to wit, the ocean.

Turin King List The list begins with mythological rulers, including gods and demi-gods, who are said to have ruled Egypt for thousands of years.

7,500 – 3,100 years ago: The era of the first cities and civilizations, such as Sumer, where the Anunnaki are worshipped as gods.

YHWH (The Lord God) the new order

Merging the Gods in the Bible Beni Elohim The Elohim YHWH Elohim

She was the wife of Tlaloc, the rain god, and played a crucial role in purifying the earth and preparing it for a new cycle of creation.

Kum, known as Khnum, was a creator god associated with the source of the Nile River.

He was often depicted as a ram-headed god and believed to fashion humans on a potter's wheel.

Khnum was considered the god of the inundation, which was crucial for agriculture in ancient Egypt.

Across cultures, gods and spirits rise from the sea, wear fish form, or rule floods and rivers.

Deities linked to fish and water are gods, goddesses, and spirits whose main myths or icons involve the sea, rivers, lakes, floods, fish-form bodies, or teaching that comes from the waters.

Poseidon is god of the sea, earthquakes, and horses.

Meaning: Atlantis kingship begins with a sea god and a mortal mother.

Nammu is the Sumerian primordial sea and mother of gods.

I am not saying every fish god is the same being.

Gods, goddesses, and spirits whose myths or icons center on the sea, rivers, floods, fish-form bodies, or teaching from the waters.

Atlas belongs as Atlantis namesake, not as a fish god.

She is renowned for her strength and prowess in battle, which made her a protector of the people and a formidable force among the gods.

Sister or Consort of Baal: Anath is frequently referred to as both the sister and the consort of the storm god Baal.

In the mythological texts, she assists Baal in his conflicts and helps him secure his position as the king of the gods.

Perun: A widely revered god across all Slavic lands, associated with lightning, the sky, war, and oaths.

Svarog, Svarožić, and Dažbog: Eastern Slavic sources mention these gods, though their exact interrelations and roles are unclear.

Shared practices like mead drinking and weapon pendants and the association of Slavic gods with Germanic deities in Christian texts highlight these interactions.

Concept of God and Life's Purpose: Matias sees God or Source as an embodiment of self ("I am") and believes the ultimate purpose of life is to embrace simplicity.

Lastly, Deutsch emphasizes that the spiritual purpose of life is to feel God within and achieve a higher level of spiritual fulfillment.